Linn

Wallisch is a robust, rather plain-speaking Mozartian, more concerned with the long view than poetic detail...There are good things in the two earlier concertos: say, the care for a broad, singing... — Gramophone Magazine, August 2013 More…

The voices are pure, beautifully tuned and finely balanced even at the tightest, most radiant dissonances...Taylor's various harps have an honest, rustic appeal...Top-quality singing with the... — Classic FM Magazine, November 2010, 4 out of 5 stars More…

There’s no doubting the technical prowess of these two crack performers, and it’s hard not to share their guilty delight in this stolen booty: intonation and ensemble are spot-on, rhythms pulse,... — BBC Music Magazine, October 2018, 4 out of 5 stars/3 out of 5 stars More…

The Scottish Chamber Orchestra's characterful accompaniments under Nicholas McGegan's expert baton prove adventurous at every turn. Berger's agile, lyrical high baritone is also impressive,... — BBC Music Magazine, December 2013, 3 out of 5 stars More…

Luolajan-Mikkola is nothing if not resolute, and he seems to embrace the struggle as an expressive end in itself. His staunch approach to articulation is tricky to love, but the payoff comes... — The Guardian, 25th February 2016, 3 out of 5 stars More…

These transparent, refined and frequently brilliant performances are thoroughly up to date. Which is not to suggest that they lack passion or understanding of the idiom. George’s presence guarantees... — Gramophone Magazine, January 2020 More…

After each of the three quartets the Maxwells add some evocative Scottish folk tunes, providing gentle, wistful punctuations between Haydn’s essays, beautifully serene. The excellent recording... — The Observer, 10th March 2019 More…

Muriel Herbert's music deserves it place alongside the more famous names of the time. Her work has been magnificently serves by the artists on this disc. Both Ailish Tynan and James Gilchrist... — Gramophone Magazine, August 2009 More…