Linn
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Charles Mackerras and the orchestra manage to be both expansive and rhythmically acute in the early pages of the Dances. The particular interest of this performance of Bartók's Music for Strings,... — More…
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Imbrailo is an excellent guide throughout. The singing is technically impressive and the voice is youthful and focused, virile but with a constant hint of vulnerability…Bigger, grander (and... — More…
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Wallisch's reading contain many attractive qualities: immaculately clean fingerwork, fine phrase-characterisation and sense of balance. But this is, of course, much-recorded repertory...the... — More…
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This new release features some very clean-cut, finely detailed playing, reflected in a vividly immediate recording — More…
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Britten: My Beloved is Mine
Song cycles by Benjamin Britten
James Gilchrist (tenor) & Anna Tilbrook (piano)
Gilchrist is as agile as his pianist and evidently attuned to the importance of her role...the mystic union of ground-bass piano with confident vocal line in the concluding 'Death, be not proud'... — More…
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Purists look away now. Having already viewed various Baroque and Romantic works through the prism of trumpet and piano, Jonathan Freeman-Attwood and Daniel-Ben Pienaar now reimagine composers'... — More…
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Schumann & Mendelssohn: Piano Concertos
Ingrid Fliter (piano)
Scottish Chamber Orchestra, Antonio Mendez
there's still room for something fresh to be said with this evergreen music … in both the Mendelssohn and Schumann, Fliter plays with tautness and energy, fitting hand-in-glove with the smaller... — More…
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