Linn
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Phantasm brings its distinctively light, luminous and spectral sound to these busy tapestries, and the consort’s translucent textures are enriched in sundry pieces by the velvet warmth of a... — More…
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Fliter differs from most by devising a running order full of intriguing juxtapositions, as did Earl Wild. Such programming savvy makes sense if you plan on listening to all of the Nocturnes... — More…
2 CDs
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Freeman-Attwood’s sound is mellifluous and gentle, delicately inflected with vibrato, especially in ‘With thee th’unsheltered moor I’d tread’ from Solomon. He is complemented by Szałucka’s deft... — More…
Awards:
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Gramophone Magazine, February 2024, Editor's Choice
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Emelyanychev is a conductor whose music-making exudes spontaneity and flexibility. — More…
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The players of the upper lines are well matched in tone and approach, over purposeful continuo support and in clear textures, well caught by the recording. It’s a pleasure to hear this talented... — More…
Awards:
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Gramophone Magazine, September 2019, Editor's Choice
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Mozart's Bassoon
Works for Solo Bassoon
Peter Whelan (bassoon), Kristian Bezuidenhout (fortepiano)
Ensemble Marsyas
This genial and amiable disc is a joy to listen to. — More…
Awards:
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Presto Editor's Choice, March 2022
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Berlioz: L'Enfance du Christ, Op. 25
RecommendedVéronique Gens (Marie), Alastair Miles (Herod/Ishmaelite Father), Yann Beuron (Narrator), Stephan Loges (Joseph)
Swedish Radio Symphony Orchestra & Chorus, Robin Ticciati
Beuron, still probably France's finest lyric tenor, a compelling Recitant with open, ardent tones and warm delivery...Miles is a splendidly anguished but restrained Herod and benign Ishmaelite,... — More…
Awards:
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Presto Recording of the Week, 2nd December 2013
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Here is Byrd composing for Protestants: and what wondrous stuff it is – both a magnificent expression of the aesthetic liturgical leanings encouraged by Elizabeth I, and an anti-Calvinist celebration... — More…
Awards:
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Gramophone Magazine, December 2019, Critics' Choice
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Dipping in and out of the minor mode, but mostly dwelling in the sunlit major, these beautifully turned works pass a very pleasant hour, even if they lack the explorative and emotional qualities... — More…
Awards:
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International Classical Music Awards, 2024, Nominated - Chamber Music
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Mozart: Mass in C Minor & CPE Bach: Heilig Ist Gott
Anna Dennis, Lucy Crowe (sopranos), Jess Dandy (contralto), Nicholas Mulroy (tenor), Robert Davies (baritone), Dunedin Consort, John Butt
Butt ’s vision for the Great Mass underlines Mozart ’s debt to Bach and Handel, full of ecclesiastical brilliance in the Credo and Sanctus thanks to Kemme’s historically informed trumpet and... — More…
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