Naxos
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The mysterious central Andante, recalling Roussel's early period, is utterly magical in Denève's hands...there is beautiful playing from the RSNO, especially in the opening of the final movement,... — More…
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I trust that anyone who is not already convinced that this composer truly deserves recognition as a great one whose contribution is highly valuable will be won over by the superb music on this... — More…
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Silvestre Revueltas: Redes & Aaron Copland: The City
Two Classical Political Film Scores
Postclassical Ensemble, Angel Gil-Ordonez
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While Still's first two quartets are tonal and (mostly) bland, the Bartok-to-Seiber modernism of the Third and Fourth reveals remarkable musical strength. Fine performances. — More…
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Schoenberg - Pierrot Lunaire
Eileen Hulse (soprano), Anja Silja (sprechstimme) & Catherine Wyn-Rogers (mezzo-soprano)
Members of the London Symphony Orchestra, Twentieth Century Classics Ensemble & Philharmonia Orchestra, Robert Craft
Authoritative accounts of some of Schoenberg's greatest works, with Silja brilliant in Pierrot Lunaire, and the whole programme conducted with the deepest understanding by Craft, also author... — More…
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The McCormack Edition Volume 2
Acoustic Recordings (1910-11)
John McCormack (tenor) with Mario Sammarco, Emmy Destinn, Nellie Melba & Edna Thornton
Victor Orchestra & New Symphony Orchestra, Sir Landon Ronald & Percy Pitt
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Mendelssohn: Concertos for Two Pianos
Benjamin Frith (piano) & Hugh Tinney (piano)
RTE Sinfonietta, Proinnsias O Duinn
Mendelssohn was 14 when he completed his first two-piano Concerto in E major, and still only 15 when he followed it with a considerably longer (rather too long) and more ambitious second in... — More…
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Axel Strauss… especially convincing in demonstrating the varied bowings, and plays throughout with a sensitive awareness of the character of each piece and how best to make the form and phrase-structure... — More…
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