Naxos
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French Music for Piano and Orchestra
Francois-Joel Thiollier (piano)
Ireland National Symphony Orchestra, Antonio de Almeida
François-Joël Thiollier's playing is individual, often impulsive but always idiomatic, helped by the sensitive, guiding hand of a conductor well acquainted with the music. A more high-profile... — More…
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Some of the outstanding performances in the late Georg Tintner's Naxos Bruckner series have been of the early symphonies. 'Your young men shall see visions,' says the Prophet Joel. It has been... — More…
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Bernd Glemser's playing here is an exceptionally arresting experience in its graphic immediacy and freshness. With his prodigious technique, underpinned by exuberant imaginative vitality, it... — More…
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It is typical of the care and scholarship which Tintner brought to his work, musicology dominated at all times by musicianship. The Royal Scottish National Orchestra plays like the Vienna Philharmonic... — More…
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Khachaturian: Spartacus (Suite No. 4), Masquerade, Circus & Dance Suite
St. Petersburg State Symphony Orchestra, Andre Anichanov
At the price it is easy to recommend. — More…
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Pizzetti - Canti della stagione alta
Susanna Stefani Caetani (piano), Boris Statsenko (baritone)
Robert-Schumann-Philharmonie, Städtischer Opernchor, Chemnitz, Oleg Caetani
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Rossini: L'Italiana in Algeri
Marianna Pizzolato (Isabella), Lorenzo Regazzo (Mustafa), Ruth Gonzalez (Elvira), Elsa Giannoulidou (Zulma), Giulio Mastrototaro (Haly), Lawrence Brownlee (Lindoro), Bruno De Simone (Taddeo) & Gianni Fabbrini (harpsichord continuo)
Virtuosi Brunensis & Transylvania State Philharmonic...
[Pizzolato's] disarmingly seductive Isabella is airier and more graceful than any of her predecessors on record...these latter-day Italian Rossinians act with spirit, project with intelligence... — More…
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Leopold Hofmann: Flute Concertos, Vol. 3
Uwe Grodd (flute)
Czech Chamber Philharmonic Orchestra Pardubice, Michael Halász
The Czech Chamber Orchestra performs admirably under the direction of Michael Halász...The ensemble...is first-rate, and the players know when to retreat in the face of the flute solo lines,... — More…
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These are not period-instrument performances, incidentally, but are nevertheless so vital, musicianly and affectionate — More…
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