Naxos
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Jun Märkl treats [the piano] as a secondary percussion instrument and the result is surprisingly effective. [En blanc et noir] sounds not merely like Debussy, but like late Debussy, and Holloway's... — More…
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As presented here, Alfredo Casella's musical language is imposing, his structures formidable and, in the case of the enormously exciting march-threnody Elegia, "to the memory of a soldier killed... — More…
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Malipiero: Impressioni dal vero & Pause del silenzio
Orchestra Sinfonica di Roma, Francesco La Vecchia
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Friedrich Witt: Symphony in C major ‘Jena’
Patrick Gallois (flute and conductor)
Sinfonia Finlandia Jyväskylä
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Psalmer utan ord
Mats Bergström (guitar), Georg Riedel, Mats Bergström and Georg Riedel featuring André Ferrari, André Ferrari
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Rózsa, one of Hollywood's finest film composers, was Hungarian to the marrow - witness this scintillating early crop of pieces for violin (his own instrument) and piano, plus the fine late solo... — More…
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Spohr: Clarinet Concerto Nos. 1 & 3
Ernst Ottensamer (clarinet)
Slovak Radio Symphony Orchestra, Slovak State Philharmonic Orchestra, Kosice, Johannes Wildner
Ottensamer's mellow, nicely turned performances. — More…
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Granados: Liliana, Suite Oriental & Elisenda
Dani Espasa (piano)
Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González
Pablo González and the Barcelona Symphony Orchestra respond, as they have throughout this series, with warmth and an attractively natural sense of how to turn a phrase…the woodwinds are the... — More…
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Sarasate - Music for Violin and Piano Volume 4
Transcriptions and arrangements
Tianwa Yang (violin) & Markus Hadulla (piano)
We encounter Sarasate’s spontaneity and coalescence of tenacity and timidity in these distinctly Spanish-sounding transcriptions and arrangements...Yang conveys Chopin’s silky Nocturne No. 2... — More…
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