Naxos
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Tchaikovsky: Piano Concerto No. 2 & Concert Fantasy
Bernd Glemser (piano)
Polish National Radio Symphony Orchestra, Antoni Wit
[On the Second Piano Concerto] One of the most compelling accounts I have ever heard. — More…
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Awards:
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Building a Library, July 2002, Historic Choice
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Penderecki - Te Deum
Izabela Klosi´nska (soprano), Agnieszka Rehlis (mezzo-soprano), Adam Zdunikowski (tenor) & Piotr Nowacki (bass)
Warsaw National Philharmonic Orchestra, Warsaw National Philharmonic Choir, Antoni Wit
Penderecki's 1979/80 Te Deum is a setting of the great Christian hymn of praise, and marked the election of a Polish compatriot as Pope. Fine contributions from chorus and orchestra, and a... — More…
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Dieter Ammann: Core – Turn – Boost & Unbalanced Stability
Basel Sinfonietta, Baldur Brönnimann and Simone Zgraggen
Awards:
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International Classical Music Awards, 2024, Nominated - Contemporary Music
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Samuel Sebastian Wesley: Anthems
James McVinnie (organ)
Choir of Clare College, Cambridge, Christopher Robinson
There are few lovelier anthems than Wesley's Thou wilt keep him in perfect peace; Cast me notaway is worthy to stand with Purcell's Hear my prayer; and among his larger choral compositions The... — More…
Awards:
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Gramophone Awards, 2007, Finalist - Choral
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Welte-Mignon Piano Rolls 2
Piano rolls 1905-1915 recorded on a restored Steinway-Welte in August 2000
Tosta di Benici (piano), Josef Hofmann (piano), Camille Saint-Saens (piano), Fannie Bloomfield Zeisler (piano), Lillian Seckendorf Popper (piano), Richard Strauss (piano), Raoul Pugno (piano), Ignacy Jan Paderewski (piano), Frederic Lamond (piano), Edvard Grieg (piano), Gertrude Peppercorn (piano),...
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Rodrigo: Complete Orchestral Works, Vol. 9
Gwyneth Wentink (harp)
Asturias Symphony Orchestra (OSPA), Maximiano Valdés
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Awards:
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Grammy Awards, 2nd Awards (1959), Best Engineered Album, Classical
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The choir is well balanced and harmoniously blended. There are no sloppy entrances, uncertain notes, or lack of suitable religious purpose to their singing. They are the genuine article - and... — More…
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Jackson and Wass are well acclimatised to Bax's elusive idioms, and Jackson's sensitivity and sustained singing tone in places such as the Legend and the slow movement of the Second Sonata are... — More…
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