Director-designer Laurent Pelly's quirkily stylish costumes and Chantal Thomas's mobile giant playing-cards rule this lavish Amsterdam production of Prokofiev's fairy-tale satire. The spectacle of the first two princesses drooping on the point of death from their citric prisons is briefly horrifying; the love duet between the third, sung with affecting simplicity by Sandrine Piau, and her fast-maturing prince has a surprising truthfulness. A reliable ensemble of singers yields the palm, though, to the astonishingly full-blooded playing of the Rotterdam Philharmonic under Denève...