Name: Schubert: Trout Quintet
Price: 17.75 USD
Availability: BackOrder

This Trout must surely be one of the very best versions of this much-recorded work – the sound is wonderfully natural, and so is the performance.
You get the impression that here was an occasion... — Gramophone Classical Music Guide, 2010 More…

Catalogue No: MDG3070625
Label: MDG
Series: Gold

This item is currently out of stock at the UK distributor. You may order it now but please be aware that it may be six weeks or more before it can be despatched.

Schubert: Piano Quintet in A major, D667 'The Trout'

Christian Zacharias (piano), Christian Ockert (double bass)
Leipziger Streichquartett

Schubert: String Trio in B flat major, D581

Christian Zacharias (piano), Christian Ockert (double bass)
Leipziger Streichquartett

Schubert: Der Taucher, D111 (Schiller)

Christian Zacharias (piano), Christian Ockert (double bass)
Leipziger Streichquartett

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Reviews

2010

This Trout must surely be one of the very best versions of this much-recorded work – the sound is wonderfully natural, and so is the performance.
You get the impression that here was an occasion when everything 'clicked', giving the playing a friendly, relaxed feeling that's just right for this carefree piece. Zacharias has the knack of making even the simplest phrase sound expressive, and the strings, without any exaggeration, produce the most beautiful tonal shadings.
All five players, too, have an impressive sense of line; the phrasing and points of emphasis are balanced so that Schubert's expansive designs are projected compellingly. If the Trout shows a Schubertian spaciousness, his one completed String Trio is unusually compact.
Another distinguished feature is the florid, Spohr-like elegance of much of the violin writing – Andreas Seidel is splendidly stylish and confident. This is another very fine performance, emphasising the predominating gentle lyricism, but with plenty of vigour and panache when required. The String Trio fragment, less than two minutes, continues the same, 'let's hear everything' approach; it's a sketch for what subsequently became the comparatively familiar B flat Quartet, D112.

Schubert: Trout Quintet

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