Name: Dénes Várjon: Precipitando
Price: 13.5 USD
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the luminous playing of the opening of Berg's Sonata Op. 1 tells us this is a pianist of rare sensitivity...Varjon's probing approach reveals the finest shades of harmonic colouring and places... — BBC Music Magazine, April 2012, 5 out of 5 stars More…

Release Date: 6th Feb 2012
Catalogue No: 4764585
Label: ECM
Series: New Series
Length: 57 minutes

BBC Music Magazine

April 2012

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Berg: Piano Sonata, Op. 1

Work length11:03

$1.10

$1.50

$2.05

Dénes Várjon (piano)
Recorded: 2011-04-28
Recording Venue: RSI Auditorium, Lugano

Mässig bewegt - Langsames Tempo - Quasi Adagio

Track length11:03

$1.10

$1.50

$2.05

Janáček: In the Mists

Work length15:45

$4.40

$6.00

$8.20

Dénes Várjon (piano)
Recorded: 2011-04-28
Recording Venue: RSI Auditorium, Lugano

Andante

Track length3:28

$1.10

$1.50

$2.05

Molto adagio

Track length5:08

$1.10

$1.50

$2.05

Andantino

Track length2:56

$1.10

$1.50

$2.05

Presto

Track length4:13

$1.10

$1.50

$2.05

Liszt: Piano Sonata in B minor, S178

Work length31:10

$1.10

$1.50

$2.05

Dénes Várjon (piano)
Recorded: 2011-04-28
Recording Venue: RSI Auditorium, Lugano

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After important contributions to the album ‘Romancendres’, pairing the music of Clara Schumann and Heinz Holliger, and an acclaimed recording with Carolin Widmann of Schumann’s Violin Sonatas, here is the first ECM New Series solo disc from Hungarian pianist Dénes Várjon. It’s an unusual repertoire for a recorded recital – of three masterworks of piano literature by Berg, Janáček and Liszt.

The recital draws the listener in from the first moments – beginning with the dark, brooding language of Alban’s Berg’s Piano Sonata Op. 1, shaped in the shadow of Schoenberg, and continuing into the nebulous regions of Janáček’s impressionistic and near-contemporaneous In The Mists, finally emerging into the clear light of Liszt’s immense - and immensely-influential - B minor Sonata. In fact both Berg and Janáček were inspired by Liszt.

As Dénes Várjon says, “It is always highly interesting to find connections between composers, and bridges between epochs in musical history. In the mirror of other composers and periods, I begin to see new dimensions of works which I have performed, and this is especially the case when I play pieces by Ferenc Liszt. Even more strongly, I see him as a main figure of the current of music history. There are certain works by him I need to play and explore again and again - most importantly, his B minor Sonata. For all its rich texture, its great structure and its length, there is not one single note which is not a most important part of the whole.”

Dénes Várjon studied at the Ferenc Liszt Academy of Music in Budapest with, amongst others, composer György Kurtág. He is a regular guest at festivals including Edinburgh, Salzburg, Lucerne, Schleswig-Holstein, Venice, and the Marlboro Festival (USA). He is invited annually to András Schiff’s and Heinz Holliger’s Ittinger Konzerttage. He has performed with major orchestras such as The Camerata Salzburg, Academy of St. Martin in the Fields, Wiener Kammerorchester, Camerata Bern, Hungarian State Symphony Orchestra, the RSO Berlin, Scottish Chamber Orchestra, Chamber Orchestra of Europe, Gidon Kremer’s Kremerata Baltica, and many others.

Reviews

April 2012

the luminous playing of the opening of Berg's Sonata Op. 1 tells us this is a pianist of rare sensitivity...Varjon's probing approach reveals the finest shades of harmonic colouring and places more emphasis on the work's preludial character than most accounts...All in all, a very impressive and intelligently planned programme.

June 2012

there's nothing new, unusual, surprising or quirky about Varjon's interpretations...Varjon's phrasing of the main theme of the first movement of the Janacek perfectly captures the music's speech-like syntax

24th February 2012

Várjon here attempts to uncover connections between composers, with specific reference to the influence Liszt had upon Berg and Janácek...Negotiating dynamic shifts of emphasis, Várjon displays that most valuable of gifts: the ability to play in a way which makes you listen anew to the familiar.

19th February 2012

Despite the many accounts of Liszt's Sonata in B minor released in the 2011 anniversary year, this late addition demands attention for its grandeur, clarity and incisive virtuosity. Várjon makes rigorous sense of the work's episodic structure, showing powerful ease in the fugue but enjoying the rhapsodic nature of the rest.

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