Essential Gilbert & Sullivan
Artists include George Baker, Owen Brannigan, John Cameron, Richard Lewis, Monica Sinclair, Marjorie Thomas, Elsie Morison, Heather Harper, April Cantelo, Pamela Bowden, Sir Geraint Evans, Jeanette Sinclair, Alexander Young, Edna Graham, John Shaw, Joseph Roleau
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Sullivan, A: The Mikado (or, The Town of Titipu) (1987 - Remaster), Act I
- Sir Geraint Evans/Glyndebourne Chorus/Pro Arte Orchestra/Sir Malcolm Sargent, Elsie Morison/Jeannette Sinclair/Marjorie Thomas/Glyndebourne Chorus/Pro Arte Orchestra/Sir Malcolm Sargent, Richard Lewis/Glyndebourne Chorus/Pro Arte Orchestra/Sir Malcolm Sargent, Geraint Evans (baritone), Elsie Morison (soprano), Peter Gellhorn (director), Jeannette Sinclair (soprano), Marjorie Thomas (contralto), Richard Lewis (tenor)
- Glyndebourne Festival Chorus, Pro Arte Orchestra
- Sir Malcolm Sargent
- Recorded: 1956-08-03
- Recording Venue: 5 & 6 May, 15 June and 3 August 1956, No. 1 Studio, Abbey Road, London
A wand'ring minstrel, I (Nanki-Poo, Nobles)
Behold the Lord High Executioner! (Nobles, Ko-Ko)
As some day it may happen (Ko-Ko, Nobles)
Three little maids from school (Yum-Yum, Peep-Bo, Pitti-Sing, Girls)
Sullivan, A: The Mikado (or, The Town of Titipu) (1987 - Remaster), Act II
- Owen Brannigan/Glyndebourne Chorus/Pro Arte Orchestra/Sir Malcolm Sargent, Sir Geraint Evans/Marjorie Thomas/Ian Wallace/Glyndebourne Chorus/Pro Arte Orchestra/Sir Malcolm Sargent, Marjorie Thomas/Sir Geraint Evans/Richard Lewis/Elsie Morison/Owen Brannigan/Ian Wallace/John Cameron/Jeannette Sinclair/Monica Sinclair/Glyndebourne Chorus/Pro Arte Orchestra/Sir Malcolm Sargent, Elsie Morison (soprano), Geraint Evans (baritone), Owen Brannigan (bass), Monica Sinclair (contralto), Peter Gellhorn (director), Ian Wallace (baritone), Marjorie Thomas (contralto), Richard Lewis (tenor), John Cameron (baritone), Jeannette Sinclair (soprano)
- Glyndebourne Festival Chorus, Pro Arte Orchestra
- Sir Malcolm Sargent
- Recorded: 1956-08-03
- Recording Venue: 5 & 6 May, 15 June and 3 August 1956, No. 1 Studio, Abbey Road, London
The sun, whose rays are all ablaze (Yum-Yum)
Here's a how-de-do! (Yum-Yum, Nanki-Poo, Ko-Ko)
A more humane Mikado (Mikado, Nobles)
Sullivan, A: Trial by Jury: When I, good friends, was called to the Bar (Judge, Others)
- Richard Lewis (tenor), Owen Brannigan (bass), John Cameron (baritone), Bernard Turgeon (baritone), George Baker (bass-baritone), Elsie Morison (soprano)
- Pro Arte Orchestra, Peter Gellhorn, Glyndebourne Festival Chorus, Glyndebourne Chorus
- Sir Malcolm Sargent
- Recorded: 1960-12-30
- Recording Venue: 28-30 December 1960, No. 1 Studio, Abbey Road, London
Sullivan, A: HMS Pinafore (or, The Lass that Loved a Sailor), Act I
- Owen Brannigan (bass), Richard Lewis (tenor), Monica Sinclair (alto), Elsie Morison (soprano), Marjorie Thomas (alto), James Milligan (Bass-Bariton) (bass), John Cameron (bass-baritone), George Baker (bass-baritone)
- Pro Arte Orchestra, Peter Gellhorn, Glyndebourne Festival Chorus, Glyndebourne Chorus
- Sir Malcolm Sargent
- Recorded: 1958-04-18
- Recording Venue: 15-18 April 1958, No. 1 Studio, Abbey Road, London
I'm called Little Buttercup (Buttercup)
I am the captain of the Pinafore (Captain Corcoran, Sailors)
Sorry her lot who loves too well (Josephine)
When I was a lad I served a term (Sir Joseph, Relatives, Sailors)
Sullivan, A: HMS Pinafore (or, The Lass that Loved a Sailor), Act II: Never mind the why and wherefore (Captain Corcoran, Sir Joseph, Josephine)
- John Cameron (bass-baritone), Richard Lewis (tenor), Owen Brannigan (bass), Monica Sinclair (alto), Marjorie Thomas (alto), James Milligan (Bass-Bariton) (bass), George Baker (bass-baritone), Elsie Morison (soprano)
- Pro Arte Orchestra, Peter Gellhorn, Glyndebourne Festival Chorus
- Sir Malcolm Sargent
- Recorded: 1958-04-18
- Recording Venue: 15-18 April 1958, No. 1 Studio, Abbey Road, London
Sullivan, A: The Pirates of Penzance (or, The Slave of Duty), Act I
- Elsie Morison/Glyndebourne Chorus/Pro Arte Orchestra/Sir Malcolm Sargent, George Baker/Glyndebourne Chorus/Pro Arte Orchestra/Sir Malcolm Sargent, James Milligan/Glyndebourne Chorus/Pro Arte Orchestra/Sir Malcolm Sargent, Richard Lewis/Elsie Morison/Glyndebourne Chorus/Pro Arte Orchestra/Sir Malcolm Sargent, Elsie Morison (soprano), George Baker (baritone), James Milligan (baritone), Peter Gellhorn (director), Richard Lewis (tenor)
- Glyndebourne Festival Chorus, Pro Arte Orchestra
- Sir Malcolm Sargent
- Recorded: 1960-01-02
- Recording Venue: 30 December 1959 to 2 January 1960, No. 1 Studio, Abbey Road, London
Oh, better far to live and die (Pirate King, Pirates)
Oh, is there not one maiden breast? (Frederic, Girls, Mabel)
Poor wandering one (Mabel, Girls)
I am the very model of a modern Major-General (Major-General, Girls, Pirates)
Sullivan, A: The Pirates of Penzance (or, The Slave of Duty), Act II
- Owen Brannigan/Glyndebourne Chorus/Pro Arte Orchestra/Sir Malcolm Sargent, James Milligan/Glyndebourne Chorus/Pro Arte Orchestra/Sir Malcolm Sargent, Owen Brannigan/Elsie Morison/Heather Harper/George Baker/Glyndebourne Chorus/Pro Arte Orchestra/Sir Malcolm Sargent, Elsie Morison (soprano), John Cameron (baritone), Heather Harper (soprano), Richard Lewis (tenor), Owen Brannigan (bass), Peter Gellhorn (director)
- Glyndebourne Festival Chorus, Pro Arte Orchestra
- Sir Malcolm Sargent
- Recorded: 1960-01-02
- Recording Venue: 30 December 1959 to 2 January 1960, No. 1 Studio, Abbey Road, London
When the foeman bears his steel (Sergeant of Police, Policemen, Mabel, Edith, Girls, Major-General) (1987 Digital Remaster)
Ah, leave me not to pine (Mabel, Frederic)
When a felon's not engaged in his employment (Sergeant, Policemen)
With cat-like tread (Pirates, Policemen, Samuel)
Sullivan, A: Patience (or, Bunthorne's Bride) (1987 - Remaster), Act I
- John Shaw (bass-baritone), Trevor Anthony (bass), Monica Sinclair (alto), Marjorie Thomas (alto), Alexander Young (tenor), John Cameron (baritone), Heather Harper (soprano), George Baker (bass-baritone), Elsie Morison (soprano), Elizabeth Harwood (soprano)
- Pro Arte Orchestra, Peter Gellhorn, Glyndebourne Festival Chorus, Glyndebourne Chorus
- Sir Malcolm Sargent
- Recorded: 1961-10-20
- Recording Venue: 12-20 October 1961, No. 1 Studio, Abbey Road, London
The soldiers of our Queen (Dragoons, Colonel Calverley)
Am I alone and unobserved? (Bunthorne)
Sullivan, A: Patience (or, Bunthorne's Bride) (1987 - Remaster), Act II
- Marjorie Thomas (alto), Trevor Anthony (bass), John Shaw (bass-baritone), Monica Sinclair (alto), Alexander Young (tenor), John Cameron (bass-baritone), Heather Harper (soprano), George Baker (bass-baritone), Elsie Morison (soprano), Elizabeth Harwood (soprano)
- Pro Arte Orchestra, Peter Gellhorn, Glyndebourne Festival Chorus, Glyndebourne Chorus
- Sir Malcolm Sargent
- Recorded: 1961-10-20
- Recording Venue: 12-20 October 1961, No. 1 Studio, Abbey Road, London
Sad is that woman's lot (Jane)
A magnet hung in a hardware shop (Grosvenor, Maidens)
So go to him and say to him (Jane, Bunthorne)
When I go out of door (Bunthorne, Grosvenor)
After much debate internal (Duke, Bunthorne, All)
Sullivan, A: Iolanthe (or, The Peer and the Peri) (1987 - Remaster), Act I: When I went to the Bar as a very young man (Lord Chancellor)
- Owen Brannigan (bass), Monica Sinclair (alto), Marjorie Thomas (alto), John Cameron (baritone), Alexander Young (tenor), Ian Wallace (bass), Heather Harper (soprano), George Baker (bass-baritone), Elsie Morison (soprano), April Cantelo (soprano)
- Pro Arte Orchestra, Peter Gellhorn, Glyndebourne Festival Chorus
- Sir Malcolm Sargent
- Recorded: 1958-10-24
- Recording Venue: 18 April (Overture) and 21-24 Oct 1958, No. 1 Studio, Abbey Road, London