Name: Michael Collins: British Clarinet Sonatas Volume 2
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Michael Collins: British Clarinet Sonatas Volume 2

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The strongest music on the programme turns out to be the first, where Collins's huge reserves of gorgeous-toned musicianship are rewarded in...Malcolm Arnold's sharp-focus, irreverently brilliant... — BBC Music Magazine, May 2013, 4 out of 5 stars More…

Release Date: 25th Feb 2013
Catalogue No: CHAN10758
Label: Chandos
Length: 69 minutes

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Arnold: Sonatina for Clarinet and Piano, Op. 29

Work length7:18

$3.00

$3.90

$4.80

Michael Collins, Michael McHale
Recorded: 27-28 July 2012
Recording Venue: Potton Hall, Dunwich, Suffolk

I. Allegro con brio

Track length2:35

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$1.60

II. Andantino

Track length2:34

$1.00

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$1.60

III. Furioso

Track length2:09

$1.00

$1.30

$1.60

Cooke, A: Sonata in B-Flat for Clarinet and Piano

Work length19:06

$4.00

$5.20

$6.40

Michael Collins, Michael McHale
Recorded: 27-28 July 2012
Recording Venue: Potton Hall, Dunwich, Suffolk

I. Allegro moderato

Track length6:03

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$1.30

$1.60

II. Scherzando

Track length3:12

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III. Adagio ma non troppo

Track length6:23

$1.00

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$1.60

IV. Molto vivace

Track length3:28

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$1.60

Gregson, E: Tributes

Work length17:44

$5.00

$6.50

$8.00

Michael Collins, Michael McHale
Recorded: 27-28 July 2012
Recording Venue: Potton Hall, Dunwich, Suffolk

I. To Francis Poulenc (For Emma Johnson)

Track length1:40

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II. To Gerald Finzi (For John Bradbury)

Track length3:54

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III. To Igor Stravinsky (For Linda Merrick)

Track length3:24

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IV. To Olivier Messiaen (After "Louange á l'Éternité de Jésus") (For Nicholas Cox)

Track length5:38

$1.00

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V. To Béla Bartók (For Michael Collins)

Track length3:08

$1.00

$1.30

$1.60

Benjamin, A: Le Tombeau de Ravel: Valse-Caprices

Work length13:01

$3.00

$2.60

$3.20

Michael Collins, Michael McHale
Recorded: 27-28 July 2012
Recording Venue: Potton Hall, Dunwich, Suffolk

Horovitz: Sonatina for clarinet & piano

Work length12:33

$3.00

$3.90

$4.80

Michael Collins, Michael McHale
Recorded: 27-28 July 2012
Recording Venue: Potton Hall, Dunwich, Suffolk

I. Allegro calmato

Track length4:51

$1.00

$1.30

$1.60

II. Lento, quasi andante

Track length4:07

$1.00

$1.30

$1.60

III. Con brio

Track length3:35

$1.00

$1.30

$1.60

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This is Volume 2 in the series ‘British Clarinet Sonatas’, in which Michael Collins is joined by the pianist Michael McHale. BBC Music awarded five stars to Volume 1, and wrote: ‘Collin’s clarinet-playing mesmerises the ear: the closing phrase of Stanford’s ‘Caoine’ movement shows what a player in this league can convey in just two quiet notes. Without snatching the limelight, Michael McHale’s accompanying finds a range of keyboard colours in, above all, the works by Ireland and Howells, making their individual sound-worlds seem unexpectedly subtle and rich.’ On this disc the pair turns to works for clarinet and piano by Arthur Benjamin, Edward Gregson, Joseph Horovitz, Sir Malcolm Arnold, and Arnold Cook.

Arthur Benjamin was Australian-born, but lived out much of his life in England. In its melodies, harmonies, and rhythms, his Le Tombeau de Ravel reflects a deep and long-standing admiration for the music of the French composer – the title itself pays tribute to Ravel’s Le Tombeau de Couperin. But whereas Ravel’s Tombeau consists of a prelude and several dances, Benjamin’s is a sequence of ‘Valse-caprices’, which has more in common with a different work by Ravel, the Valses nobles et sentimentales for piano and for orchestra.

Edward Gregson completed his five Tributes in 2010, having started the first of the set some twenty years earlier. Each of the Tributes is written as homage to one of five noted twentieth-century composers who wrote memorably for the clarinet in solo or chamber works. In his own words, Gregson ‘tried to invade the stylistic worlds’ of these composers – namely Poulenc, Finzi, Stravinsky, Messiaen, and Bartók – in much the same way that Arthur Benjamin had channelled Ravel in Le Tombeau de Ravel.

Joseph Horovitz was born in Vienna, but immigrated to England as a boy, and has lived in London for more than seventy years. His output includes operas, ballets, choral works, chamber music, several pieces for brass band, and of course this Sonatina for clarinet and piano, written in 1981 and first performed by Gervase de Peyer and Gwenneth Pryor at the Wigmore Hall, London later that year.

Also on this disc are Sir Malcolm Arnold’s Sonatina for clarinet and piano, written between 1948 and 1951 for the eminent British clarinettist Frederick Thurston, and Arnold Cooke’s Sonata of 1959. Cooke was a student of Paul Hindemith’s in Berlin, and this work is strongly inspired by Hindemith’s trademark compositional use of traditional tonal construction, and clear, cool contrapuntal textures.

Reviews

May 2013

The strongest music on the programme turns out to be the first, where Collins's huge reserves of gorgeous-toned musicianship are rewarded in...Malcolm Arnold's sharp-focus, irreverently brilliant three-movement tour de force...As in Vol. 1 of the series, Collins's lustrous expertise is fully in evidence, as is Michael McHale's top-flight accompanying.

June 2013

This is a delightful disc, not just through the warmth and fun of the five works by five composers, but through the magic of the great clarinettist Michael Collins

27th June 2013

Collins and McHale have a special affinity for these attractive British chamber music scores. Collins’ exquisite playing is crisp and evinces sure articulation, refined phrasing and agreeable intonation. McHale is sensitive and supportive. Both players radiate pleasurable music-making.

Michael Collins: British Clarinet Sonatas Volume 2

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