Vivaldi: Catone in Utica

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this is a fascinating and apt reconstruction and there is some marvellous stuff here...This recording includes outstanding contributions from Roberta Mameli (Caesar), Ann Hallenberg (Emilia),... — BBC Music Magazine, December 2013, 5 out of 5 stars More…

Release Date: 2nd Sep 2013
Catalogue No: OP30545
Label: Naive
Series: Vivaldi Edition
Length: 2 hours 40 minutes

This release includes a digital booklet

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Special offer ends: 20/11/2024

Vivaldi: Catone in Utica, RV 705 (reconstructed by A. Ciccolini)

Work length2:40:40

$44.00

$57.20

$77.00

Topi Lehtipuu (tenor), Roberta Mameli (soprano), Ann Hallenberg (mezzo-soprano), Sonia Prina (contralto), Romina Basso (mezzo-soprano), Emőke Baráth (soprano)
Complesso Barocco, Il
Alan Curtis
Recorded: September 2012
Recording Venue: Lonigo, Italy

Sinfonia: Allegro

Track length2:02

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Sinfonia: Andante

Track length1:58

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Sinfonia: Allegro

Track length1:05

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Act I Scene 1: Recitativo: Perche si mesto, o padre? (Marzia, Arbace, Catone)

Track length3:50

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Act I Scene 1: Aria: Con si bel nome in fronte (Catone)

Track length6:12

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Act I Scene 2: Recitativo: Poveri affetti miei (Arbace, Marzia)

Track length1:56

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Act I Scene 2: Aria: E follia se nascondete (Marzia)

Track length5:09

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Act I Scene 3: Dunque Cesare venga (Catone, Cesare, Fulvio) - Scene 4: Che veggio, oh Dei (Emilia, Fulvio, Catone, Cesare) - Scene 5: Tu taci, Emilia? (Cesare, Emilia, Fulvio)

Track length6:17

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Act I Scene 5: Aria: Vaga sei ne sdegni tuoi (Cesare)

Track length4:55

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Act I Scene 6: Recitativo: Quanto da te diverso (Emilia, Fulvio)

Track length1:25

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Act I Scene 6: Aria: L'ira mia, bella sdegnata (Fulvio)

Track length4:23

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Act I Scene 7: Recitativo: Se gl'altrui folli amori ascolto e soffro (Emilia)

Track length1:04

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Act I Scene 7: Aria: O nel sen di qualche stella (Emilia)

Track length6:36

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Act I Scene 8: Recitativo: Giunse dunque a tentarti (Cesare, Fulvio) - Scene 9: Recitativo: Pur ti riveggo, o Marzia (Cesare, Marzia)

Track length6:29

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Act I Scene 9: Aria: Apri le luci e mira (Cesare)

Track length7:43

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Act I Scene 10: Recitativo: Mie perdute speranze (Marzia, Catone) - Scene 11: Recitativo: Deh! t'arresta, o Signor (Arbace, Marzia, Catone)

Track length2:22

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Act I Scene 12: Recitativo accompagnato: Che giurai! Che promisi! (Arbace)

Track length0:38

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Act I Scene 12: Aria: Che legge spietata (Arbace)

Track length5:13

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Act II Scene 1: Recitativo: Marzia t'accheta (Catone, Marzia, Fulvio, Arbace) - Scene 2: Recitativo: A tanto eccesso (Fulvio, Marzia, Arbace)

Track length4:03

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Act II Scene 2: Aria: S'andra senza pastore (Arbace)

Track length4:48

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Act II Scene 3: Recitativo: Che gran sorte e la mia! (Marzia, Emilia, Cesare) - Scene 4: Ormai consolati signor (Fulvio, Cesare, Marzia, Emilia)

Track length3:09

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Act II Scene 4: Aria: Se mai senti spirarti sul volto (Cesare)

Track length8:02

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Act II Scene 5: Recitativo: Lode agli dei (Emilia, Marzia) - Scene 6: Recitativo: Tu vedi o bella Emilia (Fulvio, Emilia) - Scene 7: Recitativo: O Dio tutta se stessa (Fulvio)

Track length2:51

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Act II Scene 7: Aria: Degl'Elisi dal soggiorno (Fulvio)

Track length4:25

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Act II Scene 8: Recitativo: Si vuole ad onta mia (Catone, Cesare) - Scene 9: Recitativo: Cesare, e dove? (Marzia, Cesare, Catone)

Track length5:27

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Act II Scene 9: Aria: Se in campo armato (Cesare)

Track length5:51

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Act II Scene 10: Recitativo: Ah signor, che facesti? (Marzia, Catone, Emilia) - Scene 11: Recitativo: Signor, so che a momenti (Arbace, Catone, Marzia, Emilia)

Track length4:20

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Act II Scene 11: Aria: Dovea svenarti allora (Catone)

Track length3:44

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Act II Scene 12: Recitativo: Sarete paghi alfin (Marzia, Arbace, Emilia)

Track length0:36

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Act II Scene 12: Aria: Il povero mio core (Marzia)

Track length4:57

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Act II Scene 13: Recitativo: Udisti Arbace? (Emilia, Arbace) - Scene 14: Recitativo: Or di Catone l'asilo (Emilia)

Track length1:01

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Act II Scene 14: Aria: Come invano il mare irato (Emilia)

Track length6:50

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Act III Scene 1: Recitativo: Tutto, amico, ho tentato (Cesare, Fulvio) - Scene 2: Recitativo: Quanti aspetti la sorte (Cesare, Marzia)

Track length3:07

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Act III Scene 2: Aria: Se parto, se resto (Marzia)

Track length3:11

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Act III Scene 3: Recitativo: Me infelice! Che valmi aver soggetto (Cesare)

Track length0:26

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Act III Scene 3: Aria: Sarebbe un bel diletto (Cesare)

Track length5:17

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Act III Scene 4: E questo - Scene 5: Ecco d'Iside - Scene 6: Ola, fermate - Scene 7: D'altre insidie - Scene 8: Siam perduti (Emilia, Cesare, Catone)

Track length5:26

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Act III Scene 9: Aria: Nella foresta (Emilia)

Track length6:50

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Act III Scene 10: Recitativo accompagnato: Vinceste inique stelle (Catone) - Scene 11: Recitativo: Padre! (Marzia, Arbace, Catone)

Track length1:54

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Act III Scene 11: Duetto: Fuggi dal guardo mio (Catone, Marzia)

Track length1:48

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Act III Scene 12: Recitativo: Il vincer, o compagni (Cesare, Fulvio) - Final Scene: Recitativo: Ah Cesare, o sia vero (Marzia, Cesare, Arbace, Emilia)

Track length2:55

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Act III Final Scene: D'amor la face (Chorus)

Track length0:25

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About
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About

Naive’s Vivaldi Edition is proud to present the 15th opera, and the 50th release, in the acclaimed series. Conducted by one of the masters of baroque opera, Alan Curtis, and gathering an impressive, vocal cast from the top echelons of Baroque singing 'Catone in Utica' is one of the Venetian master’s great, late operas. Composed four years before his death and premiered at Verona in the spring of 1737, 'Catone' inaugurated Vivaldi's third and last opera season. The Red Priest's farewell to the Teatro dell’Accademia Filarmonica was to resemble the crowning piece of a fire-works display.

Right from the first performances, the success was such that Vivaldi could write to his Ferrara protector, the Marquis Guido Bentivoglio, "Here, thanks be to God, my opera is praised to the skies! We gave only six performances, and yet, having done all the accounts, I know for sure that there will be no losses; on the contrary, if God blesses the season to the end, there will be a profit, and not a negligible one."

The autograph score, conserved in volume 38 of the Foà Collection in the Biblioteca Nationale in Turin, contains only Acts II and III of the opera. In all probability, the loss of the first act occurred at some stage during the eventful history of Vivaldi’s collection, which was constantly moved from place to place between 1741 and its rediscovery in 1926.

The two surviving acts demonstrate how carefully the composer-impresario had planned his final production for Verona. The eleven arias and coro are products of his high maturity, very finely worked, in which he continues his brilliant endeavour to combine his musical language with that of the Neapolitan composers.

140-page booklet (FR, EN, IT, GE)

Sung texts included

Edizione critica a cura di Alan Curtis (Boosey & Hawkes)

Reviews

December 2013

this is a fascinating and apt reconstruction and there is some marvellous stuff here...This recording includes outstanding contributions from Roberta Mameli (Caesar), Ann Hallenberg (Emilia), Sonia Prina (Martia) and Topi Lehtipuu (Cato).

November 2013

Curtis directs with astute dramatic pacing. The entire cast performs superbly: Topi Lehtipuu deomnstrates authoritative potency and rhetorical intelligence befitting of Cato...[Hallenberg, Prina and Basso] are probably the finest three mezzo-sopranos in the current Baroque opera business.

2nd October 2013

Il Complesso Barocco is always well-balanced with excellent ensemble and fine string tone. The music is sensitively and thoughtfully phrased, and the players easily set the mood at the beginning of each aria...This is a truly outstanding recording of one of Vivaldi’s finest works

8th September 2013

Alessandro Ciccolini has reconstructed most of the missing music, and the results sound utterly convincing. The cast, all but one of them women (three singing male roles), is impressive of voice and brilliant of technique. Curtis’s direction is pacy.

19th September 2013

The performance is glorious. The conducting and the playing have tremendous energy, and the singing is to die for. Ann Hallenberg's sensational Emilia rightly dominates.

Early Music Today December 2013

In a strong cast Roberta Mameli’s Cesare and Ann Hallenburg’s Emilia stand out, albeit they have the advantage of singing the opera’s finest arias. Mameli’s beguiling ‘Se mai sentry spirarti sul volo lieve’ is the highlight, though Hallenburg’s anguished ‘Nella foresta’, punctuated by fierce horns, is hardly less enthralling.

Special offer. Vivaldi: Catone in Utica

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