Name: Handel: Arias
Price: 13.4 USD
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The wealth of virtues in Coote's recital include her intuitive sense of apposite, well-proportioned ornamentation and a sure feeling for just tempo...Occasionally I found her vibrato and vocal... — BBC Music Magazine, October 2014, 4 out of 5 stars More…

Release Date: 1st Sep 2014
Catalogue No: CDA67979
Label: Hyperion
Length: 68 minutes

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Opera

November 2014

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Handel: Quando mai, spietata sorte (from Radamisto)

Work length3:07

$1.10

$1.50

$2.05

Alice Coote (mezzo-soprano)
The English Concert
Harry Bicket

Handel: Mi lusinga il dolce affetto (from Alcina)

Work length7:45

$1.10

$1.50

$2.05

Alice Coote (mezzo-soprano)
The English Concert
Harry Bicket

Handel: Verdi prati (from Alcina)

Work length4:49

$1.10

$1.50

$2.05

Alice Coote (mezzo-soprano)
The English Concert
Harry Bicket

Handel: Stà nell'Ircana (from Alcina)

Work length5:59

$1.10

$1.50

$2.05

Alice Coote (mezzo-soprano)
The English Concert
Harry Bicket

Handel: There in myrtle shades reclined (from Hercules)

Work length3:55

$1.10

$1.50

$2.05

Alice Coote (mezzo-soprano)
The English Concert
Harry Bicket

Handel: Cease, ruler of the day, to rise (from Hercules)

Work length5:34

$1.10

$1.50

$2.05

Alice Coote (mezzo-soprano)
The English Concert
Harry Bicket

Handel: Where shall I fly? (from Hercules)

Work length6:44

$1.10

$1.50

$2.05

Alice Coote (mezzo-soprano)
The English Concert
Harry Bicket

Handel: Cara speme, questo core (from Giulio Cesare in Egitto)

Work length5:54

$1.10

$1.50

$2.05

Alice Coote (mezzo-soprano)
The English Concert
Harry Bicket

Handel: Con l'ali di costanza (from Ariodante)

Work length5:41

$1.10

$1.50

$2.05

Alice Coote (mezzo-soprano)
The English Concert
Harry Bicket

Handel: Scherza, infida (from Ariodante)

Work length11:40

$1.10

$1.50

$2.05

Alice Coote (mezzo-soprano)
The English Concert
Harry Bicket

Handel: Dopo notte (from Ariodante)

Work length7:14

$1.10

$1.50

$2.05

Alice Coote (mezzo-soprano)
The English Concert
Harry Bicket

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Hyperion is delighted to present a tour de force from the supreme mezzo-soprano of today, Alice Coote, accompanied by The English Concert and Harry Bicket, making their Hyperion debut. Coote performs a selection of Handel’s greatest arias from opera and oratorio, employing an extraordinary range of vocal and dramatic colour, tone and emotion to produce triumphant and moving interpretations of these masterpieces.

Every piece is a highlight. Handel’s Italian operas are represented by his first two Covent Garden operas, Alcina and the great tragedy Ariodante, and also Radamisto and Giulio Cesare in Egitto (perhaps Handel’s most popular opera today). Handel’s English oratorio Hercules contains music of utter beauty. Written to a libretto by Thomas Broughton based on Sophocles’ Trachiniae, it is a drama of sombre magnificence. At its centre is the tragic figure of Hercules’ wife Dejanira, a role to rival Saul as a study in the corrosive power of jealousy. Little is known about the ‘Miss Robinson’ who created the part. But the music that Handel wrote for her suggests that she must have been a fine singing actress. Alice Coote’s powers in this direction are unrivalled today.

Reviews

October 2014

The wealth of virtues in Coote's recital include her intuitive sense of apposite, well-proportioned ornamentation and a sure feeling for just tempo...Occasionally I found her vibrato and vocal portamentos a little intrusive. But expressive singing with eloquent instrumental partnership make for a rewarding encounter.

6th September 2014

The bronze-coloured mezzo of Alice Coote is well-suited to the virtuosity and drama in some of Handel’s greatest operas

Awards Issue 2014

Coote and The English Concert remind us in no uncertain terms that these characters and scenes rank among Handel's supreme achievements as a dramatist...'Scherza infida' is sung with a breathtaking sincerity that puts Coote's interpretation right up there with Janet Baker and Lorraine Hunt for its emotional intelligence.

December 2014

So vividly imagined are Coote and Bicket’s interpretations of the 11 arias in their recording that it is like hearing in colour after a lifetime of black and white.

Early Music Today

Coote is certainly no wallower; the crisp, directional, exuberant yet controlled coloratura fireworks of Stà nell’Ircana belie the sheer vocal heft she possesses, and the deft and fleet-footed playing of the English Concert never feels overbalanced. In fact, the sheer size of voice is thrilling, and it’s very good to hear an increasingly rare full-blooded interpretation of these operatic works.

Opera Now

How spoiled we are for great mezzos, and Coote is one of the most treasurable. There is some perfect singing on this disc – and the rest isn’t bad too...There is no showy emoting: everything here...is done with art rather than histrionics.

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