Name: The Romantic Piano Concerto 64 - Oswald & Napoleão dos Santos
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The Romantic Piano Concerto 64 - Oswald & Napoleão dos Santos

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One cannot imagine them more convincingly executed. What verve and flair [Pizarro] brings to the stamina-sapping solos, and with what graceful lyricism he invests the cantabile writing. He is... — Gramophone Magazine, November 2014 More…

Release Date: 29th Sep 2014
Catalogue No: CDA67984
Label: Hyperion
Series: The Romantic Piano Concerto
Length: 67 minutes

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Oswald, H: Piano Concerto in G minor, Op. 10

Work length30:08

$3.30

$4.50

$6.15

Artur Pizarro (piano)
BBC National Orchestra of Wales
Martyn Brabbins

I. Allegro (un poco agitato)

Track length14:20

$1.10

$1.50

$2.05

II. Adagio –

Track length9:21

$1.10

$1.50

$2.05

III. Allegro

Track length6:27

$1.10

$1.50

$2.05

Santos, A: Piano Concerto No. 2 in E flat minor, Op. 31

Work length36:55

$3.30

$4.50

$6.15

Artur Pizarro (piano)
BBC National Orchestra of Wales
Martyn Brabbins

I. Andantino maestoso

Track length19:52

$1.10

$1.50

$2.05

II. Scherzo: Allegro vivace – Più lento – Tempo I

Track length4:11

$1.10

$1.50

$2.05

III. Allegro – Più vivo

Track length12:52

$1.10

$1.50

$2.05

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About

Portuguese virtuoso Artur Pizarro makes a welcome return to the Romantic Piano Concerto series with the outpourings of two brilliant pianist-composers. Their names may not be familiar to listeners today. The Brazilian Henrique Oswald and the Portuguese Alfredo Napoleão were born in the same year, less than three months apart, when Schumann, Brahms and Liszt were alive and Chopin recently deceased. Both were of mixed European heritage: Oswald with a Swiss-German father and Italian mother, Napoleão with an Italian father and Portuguese mother. Both were child prodigies who became widely travelled concert pianists, pedagogues and composers. In 1868 Oswald gave his ‘farewell recital’ and left Rio de Janeiro to study in Europe; Napoleão went to Brazil.

Oswald’s Piano Concerto in G minor, Op 10, dates from about 1886, the year he met Liszt. Although influences of Fauré can be detected in the second theme, the overall character of the first movement owes more to the late Romantic German style. The orchestration is rich and full, but the Tchaikovskian athleticism and virtuosity of the piano-writing keep the soloist to the fore.

Napoleão’s Piano Concerto No 2 in E flat minor, Op 31, is undated but was probably composed around the same time as Oswald’s Piano Concerto. Although Napoleão performed the concerto in a solo piano version, the first performance with orchestra had to wait until 12 February 1941. This was given by Evaristo de Campos Coelho (1903–1988)—with whom Artur Pizarro, the pianist on the present recording, studied as a young child. He played the work numerous times, and performed it for Portuguese radio. Dinorah Leitão (who was Ivo Cruz’s daughter in law, and also a student of Campos Coelho) then played it, and Artur Pizarro is only the third pianist to champion this work.

Reviews

November 2014

One cannot imagine them more convincingly executed. What verve and flair [Pizarro] brings to the stamina-sapping solos, and with what graceful lyricism he invests the cantabile writing. He is only the third pianist to champion the Napoleão concerto.

26th October 2014

Napoleão’s concerto No 2 in E flat minor grips with a first movement worthy of Chopin, and delights with a sparkling central scherzo but the wandering, occasionally twee third movement is disappointing, despite the dedicated playing of Artur Pizarro.

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