CPE Bach: Württemberg Sonatas, Wq. 49

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Release Date: 6th Apr 2015
Catalogue No: PTY515501
Label: Paraty
Length: 90 minutes

Bach, C P E: Sonata Württemberg No. 1 in A Minor, Wq. 49 / 1, H. 30

Work length15:59

$3.70

$4.55

$5.60

Bruno Procopio

I. Moderato

Track length7:18

$1.60

$1.95

$2.40

II. Andante

Track length3:28

$1.05

$1.30

$1.60

III. Allegro assai

Track length5:13

$1.05

$1.30

$1.60

Bach, C P E: Sonata Württemberg No. 2 in A Flat Major, Wq. 49 / 2, H. 31

Work length13:06

$3.15

$3.90

$4.80

Bruno Procopio

I. Un poco allegro

Track length5:23

$1.05

$1.30

$1.60

II. Adagio

Track length4:02

$1.05

$1.30

$1.60

III. Allegro

Track length3:41

$1.05

$1.30

$1.60

Bach, C P E: Sonata Württemberg No. 3 in E Minor, Wq. 49 / 3, H. 33

Work length12:52

$3.15

$3.90

$4.80

Bruno Procopio

I. Allegro

Track length5:44

$1.05

$1.30

$1.60

II. Adagio

Track length3:48

$1.05

$1.30

$1.60

III. Vivace

Track length3:20

$1.05

$1.30

$1.60

Bach, C P E: Sonata Württemberg No. 4 in B Flat Major, Wq. 49 / 4, H. 32

Work length14:56

$3.15

$3.90

$4.80

Bruno Procopio

I. Un poco Allegro

Track length6:08

$1.05

$1.30

$1.60

II. Andante

Track length4:13

$1.05

$1.30

$1.60

III. Allegro

Track length4:35

$1.05

$1.30

$1.60

Bach, C P E: Sonata Württemberg No. 5 in E Flat Major, Wq. 49 / 5, H. 34

Work length16:04

$3.70

$4.55

$5.60

Bruno Procopio

I. Allegro

Track length8:07

$1.60

$1.95

$2.40

II. Adagio

Track length4:14

$1.05

$1.30

$1.60

III. Allegro assai

Track length3:43

$1.05

$1.30

$1.60

Bach, C P E: Sonata Württemberg No. 6 in B Minor, Wq. 49 / 6, H. 36

Work length17:50

$3.70

$4.55

$5.60

Bruno Procopio

I. Moderato

Track length9:59

$1.60

$1.95

$2.40

II. Adagio non molto

Track length4:10

$1.05

$1.30

$1.60

III. Allegro

Track length3:41

$1.05

$1.30

$1.60

About
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"A musician cannot move without being moved himself - it is indispensable that he himself feel the emotions he wishes to arouse in his audience; he must make them understand his own sensitivity to them to be able to share it. (III-13)." This final quotation is emblematic of Carl Philip Emanuel Bach: clearly his viewpoint went against that of his contemporary Denis Diderot, who held that actors must make the public feel emotions they do not feel, and therefore base their art on distancing. This would have been unthinkable for Bach, for whom sincerity was essential to convince and to move.

Although Baroque music is enjoying a renaissance of popularity, it still has difficulty emancipating itself from certain received ideas. The concept of 'table music', supposedly played in the background for an inattentive prince; musical works published by the dozen for dilettantes; thousands of opera seria that we imagine as victims of the epoch’s vain ideas, and its public’s superficial taste… It has become difficult today to persuade oneself that works from the 18th century truly sought out expressive depth. All things considered, no composer is better suited to brush aside this erroneous vision than Carl Philipp Emanuel Bach.

CPE Bach: Württemberg Sonatas, Wq. 49

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