Name: Earthly Angels
Price: 16.5 USD
Availability: BackOrder

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Release Date: 1st Mar 2019
Catalogue No: ABCD426
Label: Alba
Length: 56 minutes

Usually despatched in 3 - 4 working days

Maria Xaveria Perucona: Sacri concerti de motetti à 1, 2, 3 e 4 voci

Work length6:14

$1.00

$1.30

$1.75

Kajsa Dahlbäck (soprano)
Earthly Angels

Sacri concerti de motetti à 1, 2, 3 e 4 voci: Ad gaudia, ad iubila

Track length6:14

$1.00

$1.30

$1.75

Leonarda: Sacri concenti, Op. 3

Work length9:39

$2.00

$2.60

$3.50

Kajsa Dahlbäck (soprano)
Earthly Angels

Sacri concenti, Op. 3: Volo Jesum

Track length9:39

$2.00

$2.60

$3.50

Rusca, C F: Sacri concerti

Work length2:27

$1.00

$1.30

$1.75

Andrew Lawrence-King (harp)

Sacri concerti: Canzone seconda

Track length2:27

$1.00

$1.30

$1.75

Badalla: Motetti à voce sola

Work length7:28

$2.00

$2.60

$3.50

Kajsa Dahlbäck (soprano)
Earthly Angels

Motetti à voce sola: Non plangete

Track length7:28

$2.00

$2.60

$3.50

Leonarda: Sonata a 4 in D Minor, Op. 16, No. 12

Work length9:58

$2.00

$2.60

$5.25

Aira Maria Lehtipuu (violin)
Earthly Angels

Sonata à 4 in D Minor, Op. 16 No. 12

Track length9:58

$2.00

$2.60

$5.25

Motetti à voce sola

Work length5:41

$1.00

$1.30

$1.75

Motetti à voce sola: Pane angelico

Track length5:41

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$1.30

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Re, B: Motetti à 2, e 3 voci, Op. 2

Work length5:07

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$1.75

Earthly Angels

Motetti à 2, e 3 voci, Op. 2: Canzona à 4

Track length5:07

$1.00

$1.30

$1.75

Cozzolani: Salmi a otto, motetti et dialoghi, Op. 3

Work length10:01

$3.00

$3.85

$5.25

Kajsa Dahlbäck (soprano), Anna Villberg (soprano)
Earthly Angels

Salmi à otto... motetti et dialoghi, Op. 3: O quam bonus es

Track length10:01

$3.00

$3.85

$5.25

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About

In the Duchy of Milan in what is now northern Italy, it was a common practice in the 17th century for young girls to enter a convent. In many cases, this was because of circumstances rather than devotion and could not be described as voluntary: at the time, the dowry that a bride’s family was expected to pay her groom on marriage had become incredibly large and hence in many cases unaffordable. According to Robert L. Kendrick (Celestial Sirens, 1996), as many as 75% of the daughters of some aristocratic families in Milan became nuns around the turn of the 17th century; in the second half of the 17th century, the percentage was 48%. The nuns of some convents were very well known in the surrounding community and had both an inner church for their own devotions and an outer church that visitors could attend. These two churches were separated by a wall, so that there was no visual contact between the nuns and the visitors. Sound, on the other hand – speech and song – passed freely through openings near the ceiling.

Earthly Angels

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