Name: Beethoven: Piano Sonatas Nos. 23, 30 & 32
Price: 17.25 USD
Availability: BackOrder

Release Date: 8th May 2020
Catalogue No: AUDITE20047
Label: Audite
Length: 76 minutes

Usually despatched in 3 - 4 working days

Beethoven: Piano Sonata No. 23 in F minor, Op. 57 'Appassionata'

Work length25:22

$6.00

$7.75

Jimin Oh-Havenith

I. Allegro assai

Track length11:04

$3.00

$3.85

II. Andante con moto

Track length5:42

$1.00

$1.30

III. Allegro ma non troppo - Presto

Track length8:36

$2.00

$2.60

Beethoven: Piano Sonata No. 30 in E major, Op. 109

Work length20:04

$10.00

$13.00

Jimin Oh-Havenith

I. Vivace ma non troppo, sempre legato - Adagio espressivo

Track length3:47

$1.00

$1.30

II. Prestissimo

Track length2:46

$1.00

$1.30

III. Gesangvoll, mit innigster Empfindung. Andante molto cantabile ed espressivo

Track length2:24

$1.00

$1.30

III. Variation I. Molto espressivo

Track length1:56

$1.00

$1.30

III. Variation II. Leggieramente

Track length1:39

$1.00

$1.30

III. Variation III. Allegro vivace

Track length0:26

$1.00

$1.30

III. Variation IV. Un poco meno andante ciò è un poco più adagio come il tema

Track length2:44

$1.00

$1.30

III. Variation V. Allegro, ma non troppo

Track length0:58

$1.00

$1.30

III. Variation VI. Tempo primo del tema

Track length1:54

$1.00

$1.30

III. Cantabile

Track length1:30

$1.00

$1.30

Beethoven: Piano Sonata No. 32 in C minor, Op. 111

Work length30:58

Album only

Jimin Oh-Havenith

I. Maestoso - Allegro con brio ed appassionato

Track length10:06

$3.00

$3.85

II. Arietta. Adagio molto semplice cantabile

Track length20:52

Album only

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Jimin Oh-Havenith interprets three of Beethoven’s most famous, beautiful, but also most demanding piano sonatas. Her carefully chosen tempi allow for a vivid and transparent presentation of the thematic structures and internal developments.

The poetic idea transitioning from Sturm und Drang to romanticism

This new recording by Jimin Oh-Havenith presents three of Beethoven’s most famous, beautiful, but also most demanding piano sonatas. In addition to the dramatic F minor Sonata, Op. 57 (‘Appassionata’), the pianist plays the late Sonatas in E major, Op. 109, and C minor, Op. 111, the last of the 32 piano sonatas. The exploration and crossing of boundaries can be seen as a central motif in Beethoven’s compositions in general, and in his piano music in particular. While the variation movement in the ‘Appassionata’ is flanked by rugged outer movements and the ending is a lively dance, Opp. 109 and 111 close with extended, expressive variation movements. In the finale of Op. 109 and in the simple, yet rapturously poignant Arietta of Op. 111 with the metamorphoses in its five variations, Beethoven enters uncharted territory. Here, Beethoven not only reaches expressive extremes, but also challenges his instrument: the keyboard range is stretched to the limit. The listener experiences the end of the C minor Sonata as a farewell to the world and to the genre of the sonata itself, but also as a beginning of something new and unknown.

Beethoven: Piano Sonatas Nos. 23, 30 & 32

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