Name: Tantalo: Baroque bel canto
Price: 16 USD
Availability: BackOrder

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Release Date: 3rd Dec 2021
Catalogue No: IBS132021
Label: IBS Classical
Length: 61 minutes

Usually despatched in 3 - 4 working days

Castaldi: Arpeggiata a mio modo

Work length2:24

$1.00

$1.30

Josep Maria Martí Duran (theorbo)

Caccini, G: Dolcissimo sospiro

Work length2:38

$1.00

$1.30

Alicia Amo (soprano), Josep Maria Martí Duran (theorbo)

Caccini, G: Vedrò 'l mio sol

Work length3:30

$1.00

$1.30

Alicia Amo (soprano), Maximilian Ehrhardt (harp)

Gagliano: Io vidi in terra

Work length3:41

$1.00

$1.30

Carlos Mena
L'Armonia degli Affetti
Alessandro Urbano

Kapsberger: Sinfonia No. 12

Work length1:39

$1.00

$1.30

L'Armonia degli Affetti
Alessandro Urbano

Mazzocchi, D: Lagrime Amare

Work length4:43

$1.00

$1.30

Alicia Amo (soprano)
L'Armonia degli Affetti
Alessandro Urbano

Ferrari, Benedetto: Queste pungenti spine

Work length11:41

$3.00

$3.85

Carlos Mena
L'Armonia degli Affetti
Alessandro Urbano

Merula: Canzonetta spirituale sopra alla nanna 'Hor ch'è il tempo di dormire'

Work length7:42

$2.00

$2.60

Alicia Amo (soprano)
L'Armonia degli Affetti
Alessandro Urbano

Kapsberger: Sinfonia No. 17

Work length1:20

$1.00

$1.30

L'Armonia degli Affetti
Alessandro Urbano

Fontei: Io v'adoro e non v'amo

Work length3:31

$1.00

$1.30

Alicia Amo (soprano), Carlos Mena
L'Armonia degli Affetti
Alessandro Urbano

Castello, D: Sonate concertate in stil moderno, Book 2

Work length5:20

$1.00

$1.30

L'Armonia degli Affetti
Alessandro Urbano

Sonata No. 3

Track length5:20

$1.00

$1.30

Ferrari, Benedetto: M'amò tanto

Work length3:34

$1.00

$1.30

Carlos Mena
L'Armonia degli Affetti
Alessandro Urbano

Strozzi: L'Eraclito amoroso, Op. 2 No. 14

Work length5:40

$1.00

$1.30

Alicia Amo (soprano)
L'Armonia degli Affetti
Alessandro Urbano

Ferrari, Benedetto: Voglio di vita uscir

Work length4:03

$1.00

$1.30

Carlos Mena
L'Armonia degli Affetti
Alessandro Urbano

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About

Imitar col canto chi parla' ('imitating in song one who speaks'): that ideal, expressed by Jacopo Peri in the preface to his setting of Euridice, heralded a veritable revolution in vocal music, beginning with the experiments, towards the end of the sixteenth century, of the Florentine Camerata – a group of intellectuals and musicians led by Count Giovanni de’ Bardi, who aimed to revive the glorious art of ancient Greek tragedy. According to written accounts, the latter was sung, or spoken, in such a way that the words, while remaining intelligible at all times, were emotionally heightened. The members of the Camerata wished thus to break with the polyphonic madrigal tradition of the Renaissance and turn to accompanied monody, recitar cantando, thereby returning to the pre-eminence of the word as the means of conveying human emotions, with the music, henceforth subordinate to speech, serving to magnify and amplify it.

Tantalo: Baroque bel canto

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