Name: Mozart: Concertos for flute and orchestra
Price: 16 USD
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Mozart: Concertos for flute and orchestra

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Release Date: 7th Oct 2022
Catalogue No: CD3050
Label: Claves
Length: 79 minutes

International Classical Music Awards

2023

Nominated - Concerto

Usually despatched in 3 - 4 working days

Mozart: Flute Concerto No. 1 in G major, K313

Work length24:09

$4.50

$6.30

$7.80

Alexis Kossenko, Valeria Kafelnikov
Gli Angeli Genève
Stephan MacLeod

I. Allegro maestoso

Track length7:55

$1.50

$2.10

$2.60

II. Adagio ma non troppo

Track length8:58

$1.50

$2.10

$2.60

III. Rondo. Tempo di menuetto

Track length7:16

$1.50

$2.10

$2.60

Mozart: Flute & Harp Concerto in C major, K299

Work length29:12

$4.50

$6.30

$7.80

Alexis Kossenko, Valeria Kafelnikov
Gli Angeli Genève
Stephan MacLeod

I. Allegro

Track length9:48

$1.50

$2.10

$2.60

II. Andantino

Track length9:19

$1.50

$2.10

$2.60

III. Rondeau. Allegro

Track length10:05

$1.50

$2.10

$2.60

Mozart: Flute Concerto No. 2 in C Major K. 314

Work length19:27

$3.50

$4.90

$6.10

Alexis Kossenko, Valeria Kafelnikov
Gli Angeli Genève
Stephan MacLeod

I. Allegro aperto

Track length6:50

$1.00

$1.40

$1.75

II. Adagio ma non troppo

Track length7:13

$1.50

$2.10

$2.60

III. Rondo. Allegro

Track length5:24

$1.00

$1.40

$1.75

Mozart: Andante in C major, K315 for flute and orchestra

Work length6:18

$1.00

$1.40

$1.75

Alexis Kossenko, Valeria Kafelnikov
Gli Angeli Genève
Stephan MacLeod

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If Mozart gave the concerto of his time its ultimate shape, it is because he transferred to it all the characteristics of the opera aria, giving the cantabile – which he often mentions in his correspondence – most significant importance and transforming the vocal virtuosic runs instrumental figurations. The soloist is a character whose rhetoric gives the orchestral material presented in the introduction a deeper, more intimate and more sensitive dimension. This constitutes the raison d’être of the relationship between the individual and the group, between the solos and the tuttis.

Mozart always had in mind the musician for whom the work was written, whether it was an aria or a concerto. He then tailored a suit to measure, as he said (in his piano concertos, he referred to himself, hence the depth and complexity of what is expressed in these works). For a soloist with a virtuoso technique, he would compose highly challenging passages; for someone less assured, he would deliver a more accessible score. Therefore, the last of the four horn concertos written for the famous Joseph Leutgeb is far less demanding than the previous ones since the ageing soloist could no longer play the highest notes. Similarly, the flute part of the Flute and Harp Concerto uses the low notes that were the uniqueness of the instrument used by the Count of Guînes, who commissioned the piece (the notes D flat and C, now found on modern flutes).

Mozart: Concertos for flute and orchestra

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