Name: Poulenc: Piano Works
Price: 16 USD
Availability: InStock

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Release Date: 7th Apr 2023
Catalogue No: DACOCD960
Label: Danacord
Length: 48 minutes

In stock

Usually despatched within 1 working day

Poulenc: 8 Nocturnes

Work length18:21

$8.00

$10.40

John Damgaard

I. Sans traîner

Track length2:59

$1.00

$1.30

II. Bal de jeunes filles

Track length1:29

$1.00

$1.30

III. Les cloches de Malines

Track length3:15

$1.00

$1.30

IV. Bal fantô me

Track length1:32

$1.00

$1.30

V. Phalènes

Track length1:21

$1.00

$1.30

VI. Très calme mais sans traîner

Track length3:40

$1.00

$1.30

VII. Assez allant

Track length2:07

$1.00

$1.30

VIII. (pour servir de Coda au Cycle) Très modéré

Track length1:58

$1.00

$1.30

Poulenc: Trois Mouvements perpétuels

Work length5:33

$3.00

$3.90

John Damgaard

I. Assez modéré

Track length1:17

$1.00

$1.30

II. Très modéré

Track length1:26

$1.00

$1.30

III. Alerte

Track length2:50

$1.00

$1.30

Poulenc: Mélancolie

Work length5:59

$1.00

$1.30

John Damgaard

Poulenc: Intermezzi

Work length9:15

$3.00

$3.90

John Damgaard

No. 1 in C Major

Track length1:59

$1.00

$1.30

No. 2 in D-Flat Major

Track length3:07

$1.00

$1.30

No. 3 in A-Flat Major

Track length4:09

$1.00

$1.30

Poulenc: Trois Mouvements perpétuels

Work length9:15

$3.00

$3.90

John Damgaard

I. Pastorale

Track length2:38

$1.00

$1.30

II. Hymne

Track length4:19

$1.00

$1.30

III. Toccata

Track length2:18

$1.00

$1.30

About
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About

As a young student I had the pleasure to play Francis Poulenc’s Sextet for Nadia Boulanger. Feeling uneasy with some of the more or less banal themes I asked for her help. She said that Poulenc had a strong sense of humor, but always expressed it in an extremely serious way – which made it even more humorous. And you had to treat his music in the same manner. Always serious. Poulenc’s musical life was at a time, where the tonal system more or less had outlived itself. The 12-tone music had taken over. At least in the Germanic musical world. But Poulenc detested this form of intellectual way of making music. Music had to be conceived through the ear. In 1943, when he wrote his Intermezzo in A-ﬂat major, he ended the piece with 12 chords in all the keys...probably an ironic greeting to the Germans in Paris! Already in 1928, he showed - in one of his most beautiful pieces - the Pastorale - that it is possible through the ear to make beautiful chords containing almost all the 12 different notes at the same time. Beautiful sonority has always been a major key to French Music. Many years later Pierre Boulez said “I wish I could compose in major/minor keys. But I can’t!” Another of his beautiful pieces the Mélancolie is written in August 1940 – 3 months after the Germans went into Paris. Leonard Bernstein suggested in one of his Harvard Lectures that the interval of a downward third is an arche-type. In all cultures that means “mother”! Mélancolie ends with a downward third 3 times – a deﬁnite cry for help. With these elements in consideration, it is totally wrong to judge Poulenc a light weight French composer – which has often been the case. He is much more an original, serious French composer with a lot of humor.

Poulenc: Piano Works

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