For five decades Wolfgang Sawallisch (1923-2013) held a central position in the musical world. That centrality was reflected in a series of top orchestral and operatic posts and in his interpretations, free of self-regarding eccentricities. His modest but highly effective conducting technique also made him the ideal recording artist. Sawallisch was a Bavarian born in Munich, city of orchestras and a great opera company, which he headed for 21 years. He started his career as an outstanding pianist and remained a sought-after accompanist to great Lieder singers and instrumentalists. Volume 1 of a complete conspectus of his Warner Classics recordings (made for Electrola and EMI Classics between 1954 to 1997) includes wonderful Lieder and song collaborations, as well as famous concerto accompaniments for eminent soloists and a heartwarming traversal of Schubert’s secular vocal and sacred choral music with Bavarian Radio colleagues. But the main focus among the 65 discs is on his symphonic achievements: Beethoven, Schumann, Mendelssohn, Brahms, Bruckner and Dvořák – the latter’s Eighth Symphony was his first published recording, from 1954. Richard Strauss, an early influence, is strongly represented. Volume 2 will focus on his operatic work.
Artists
Yuri Egorov (piano), Edwin Fischer (piano), Johanna Martzy (violin), Frank Peter Zimmermann (violin), Thomas Hampson (tenor), Dietrich Fischer-Dieskau (baritone), Marjana Lipovšek (mezzo-soprano), Stephen Kovacevich (piano), Andras Schiff (piano), Natalie Gutman (cello), Emmanuel Ax (piano), Richard Woodhams (oboe), Robert Tear (tenor), Ann Murray (mezzo-soprano), Denis Brain (horn), Lucia Popp (soprano), Margaret Price (soprano), Barbara Hendricks (soprano), Ole Edvard Antonsen (trumpet), Philharmonia Orchestra, Berliner Philharmoniker, Concertgebuow Orchestra, Staatskapelle Dresden, LPO, Philadelphia Orchestra, Wolfgang Sawallisch