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Special offer. Hasse: Piramo e Tisbe

Akademie für Alte Musik Berlin, Anett Fritsch (Piramo), Roberta Mameli (Tisbe), Jeremy Ovenden (Il Padre)

Akademie für Alte Musik Berlin, Bernhard Forck

Awards:

The piece has been recorded before by La Stagione Frankfurt, but this new version is better, with livelier tempi and superb singing from two bright-voiced sopranos, Anett Fritsch and Roberta...

Special offer. Hasse: Piramo e Tisbe

Akademie für Alte Musik Berlin, Anett Fritsch (Piramo), Roberta Mameli (Tisbe), Jeremy Ovenden (Il Padre)

Akademie für Alte Musik Berlin, Bernhard Forck

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96 kHz, 24 bit, FLAC/ALAC/WAV

Original price ($30.25) Reduced price $21.00

44.1 kHz, 16 bit, FLAC/ALAC/WAV

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320 kbps, MP3

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This release includes a digital booklet

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Awards:

The piece has been recorded before by La Stagione Frankfurt, but this new version is better, with livelier tempi and superb singing from two bright-voiced sopranos, Anett Fritsch and Roberta...

About

Forbidden love, the extremes of passion, and a soaring lyricism... In Piramo e Tisbe, one of his very last operas, Hasse broke the rules of opera seria and created a masterpiece. With a prestigious team of soloists, the Akademie für Alte Musik Berlin restores it to life in all its vivid colours, this work of astonishing modernity that was greatly admired by Mozart.

Contents and tracklist

No. 1, Più tosto grave e maestoso
Track length0:52
No. 2, Molto allegro
Track length1:41
No. 3, Andantino
Track length2:23
No. 4, Allegro assai
Track length1:17
Aria. Invan ti struggi in pianto - Recitativo. Piramo! ah dove sei?
Track length2:53
Presto. Oh! fra mostri d'Averno
Track length1:47
Duetto. Pur ti riveggo al fine
Track length2:21
Recitativo. Oh gioia, oh gioia inaspettata
Track length3:54
Aria. Ah! non è ver, ben mio
Track length1:38
Lento. È troppo bello il pianto
Track length2:47
Act I Scene 1: Recitativo. Fuggi, fuggi, ei s'appressa. Misera me! – Act I Scene 2: Recitativo. Tisbe... Posso sperar che al padre
Track length3:53
Aria. Perderò l'amato bene
Track length3:51
Andante. Tanta forza al cor non sento
Track length3:07
Recitativo. Invan t'affanni e preghi
Track length0:49
Aria. A tuoi sospiri, al pianto
Track length2:34
Duetto. Ah, già parti?
Track length1:07
Recitativo. Dunque l'udisti?
Track length2:11
Aria. Fuggiam dove sicura
Track length5:35
Recitativo. Taci, non più
Track length1:56
Duetto. Che mai temer potrei
Track length2:02
Lento. Vanne. Ti lascio
Track length3:04
Recitativo. Son pur giunta una volta
Track length2:08
Aria. Infelice! in tanto orrore
Track length1:22
Un poco lento una poco ad andantino. Freddo il sangue
Track length1:07
Andantino come prima ed amoroso. Infelice! In tanto orrore
Track length0:55
Recitativo. Misera! ancor non viene
Track length2:06
Aria. Rendete, eterni Dei
Track length4:03
Lento. Son pieni i voti miei
Track length1:55
Tempo di prima, da capo. Rendete, eterni Dei
Track length3:21
Recitativo. Ma che sento - Sinfonia per la comparsa del leone: No. 1, Coll' istessa prestezza
Track length0:58
Sinfonia per la comparsa del leone: No. 2, Un poco lento
Track length0:29
Recitativo. Grazie al ciel
Track length0:57
Andantino amoroso. Arioso. Che puro ciel!
Track length2:04
Aria. Così tranquilla, e cheta serena notte
Track length3:01
Allegretto. Così d'Ida selvosa
Track length0:38
Tempo di prima, da capo. Così tranquilla
Track length1:57
Recitativo. Ma s'avanza la notte
Track length5:31
Aria. Già la sento
Track length2:27
Largo. Non sdegnarti bell'ombra diletta
Track length2:34
Recitativo. Misera! Ove m'inoltro!
Track length3:45
Duetto. Ah, che mirar degg'io!
Track length3:21
Recitativo. Non m'inganna lo sguardo
Track length2:33
Aria. Nella nera ombra di morte
Track length2:54

Awards and reviews

  • BBC Music Magazine
    December 2025
    Opera & Stage Choice
  • International Classical Music Awards
    2026
    Nominated - Opera

December 2025

The piece has been recorded before by La Stagione Frankfurt, but this new version is better, with livelier tempi and superb singing from two bright-voiced sopranos, Anett Fritsch and Roberta Mameli, in the title roles even if it is sometimes difficult to tell them apart without close attention to the libretto.

January 2026

This excellent performance is well worth investigating, not least as a gentle introduction to the music of the man who, like Handel, was known in Italy as 'il caro Sassone' ('the dear Saxon').
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