Gluck - Se mai senti spirarti sul volto (from La clemenza di Tito)
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Special offer. Rivales
RecommendedSandrine Piau (soprano), Véronique Gens (soprano), Le Concert de la Loge, Julien Chauvin
I don’t know about any rivalry here, but Gens and Piau, both of whom have complete mastery over this repertoire, function extremely well individually (as one might expect) and in duo. They are... — More…
Awards:
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Presto Editor's Choice, April 2022
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Opera, June 2022, Disc of the Month
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Presto Recordings of the Year, Finalist 2022
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International Classical Music Awards, 2023, Nominated - Vocal Music
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Gramophone Awards, 2023 Winners, Winner - Voice & Ensemble
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Original price ($17.50) Reduced price $12.25Downloads
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Joyce DiDonato: Diva, Divo
RecommendedJoyce DiDonato (mezzo)
Orchestre et Choeur de L'Opéra National De Lyon, Kazushi Ono
Proof of DiDonato's consummate musicianship is everywhere here...For sheer beauty of tone, legato that defies gravity and singing that restores your faith in human nature, listen last of all... — More…
Awards:
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Gramophone Awards, 2011, Finalist - Recital
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BBC Music Magazine, April 2011, Opera Choice
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Grammy Awards, 54th Awards (2011), Best Classical Solo Vocal Album
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Opera, June 2011, Recording of the Month
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Gluck: Italian Arias
RecommendedCecilia Bartoli (mezzo)
Akademie für Alte Musik Berlin, Bernhard Forck
on this disc Cecilia Bartoli makes clear that Gluck was a formidable musical dramatist even in his early, pre-'reform' works...This CD, in short, is a tour de force of dramatic singing, in the... — More…
Awards:
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Gramophone Awards, 2002, Winner - Recital
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Gramophone Magazine, Awards Issue 2001, Disc of the Month
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Grammy Awards, 44th Awards (2001), Best Classical Solo Vocal Album
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Le Belle Immagini
Opera arias by Gluck, Mozart and Myslivecek
Magdalena Kozena (mezzo)
Prague Philharmonia, Michel Swierczewski
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Blessed Spirit: A Gluck Retrospective
Ailish Tynan, Sophie Bevan (sopranos) & Anna Stéphany (mezzo-soprano)
The Mozartists, Ian Page
The three singers here all make a good showing, Ailish Tynan with her direct engagement with recitative...and as a sentient, fearful Euridice...[Stéphany] scores highly as Clytemnestra in Iphigénie... — More…
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Kozena's voice is silvery but lacks power in coloratura arias by Mozart and Myslivecek. Tender Gluck in a fascinating collection. — More…
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