Scarlatti, A - Salve Regina
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The interweaving voices produce an attractive juxtaposition of density and transparency. Texts are declaimed crisply yet sensitively, melismatic vowels possess compassionate luminosity, and... — More…
Awards:
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Gramophone Magazine, January 2017, Editor's Choice
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Gramophone Awards, 2017, Shortlisted - Baroque Vocal
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Ave Virgo Gloriosa
Marian Music from the Renaissance to the Baroque
Vox Poetica Ensemble, Nova Alta, Sabino Manzo
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Scarlatti: Messa Clementina
Le Parnasse français and Louis Castelain, Louis Castelain, Le Parnasse français
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A Scarlatti: Salve Regina, Vivaldi: Stabat Mater & Concertos for Strings
Jeanne Lamon, Marie-Nicole Lemieux, Tafelmusik Orchestra
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Special offer. Per La Vergine Maria
Monica Piccinini, Lia Serafini, Anna Simboli (soprano), Elena Biscuola, Gabriella Martellacci (contralto), Maurizio Dalena, Raffaele Giordani (tenor), Matteo Bellotto, Marco Scavazza (bass), Ugo di Giovanni, Franco Pavan (theorbos) & Francesco Moi (organ)
Concerto Italiano, Rinaldo Alessandrini
what ultimately makes these disparate stylistic strands meld so effectively together is the loving care and sense of unity Alessandrini himself brings to these performances. They are poised,... — More…
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Musicke Companye: O Bone Jesu
Philippa Hyde (soprano), Paul Esswood (counter-tenor), Jennifer Janse (cello), Helen Rogers (organ)
Musicke Companye
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Alessandro Scarlatti: Stabat Mater
Gérard Lesne/Sandrine Piau/Jean-François Novelli/Il Seminario Musicale, Sandrine Piau/Gérard Lesne/Il Seminario Musicale, Pascal Monteilhet (lute), Blandine Rannou (harpsichord), Jean-Charles Ablitzer (organ), Richard Myron (violin), Jean-François Novelli (tenor vocals), Sandrine Piau (soprano vocals),...
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Scarlatti, A: Cecilian Vespers, etc.
Susanne Rydén and Dominique Labelle (sopranos), Ryland Angel (countertenor), Michael Slattery (tenor), Neal Davies (baritone/chanteur)
Philharmonia Baroque Ensemble, Philharmonia Chorale, Nicholas McGegan
Scarlatti's Vespers were composed for a service at the Roman church of Santa Cecilia in Trastevere in 1721. He was in his sixties by then, his music out of fashion, and one can sense that with... — More…
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