Monteverdi - Chiome d'oro (Book 7)
Genres:
Choral » Madrigals & Partsongs
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Monteverdi - Teatro d'Amore
RecommendedNuria Rial (soprano), Philippe Jaroussky (countertenor), Cyril Auvity (tenor), Jan van Elsacker (tenor) & Joaõ Fernandes (bass)
L’Arpeggiata, Christina Pluhar
The gorgeous singing of the soloists and stylish instrumental performances, though dazzling and gimlet-eyed, are also elegant and respectful without being obsequiously slavish to convention. — More…
Awards:
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Presto Recording of the Week, 26th January 2009
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Monteverdi: Memories
Capella de la Torre, Margaret Hunter (soprano), Viktoria Wilson (soprano), Jaro Kirchgessner (alto), Martin Logar (tenor), Minsub Hong (tenor), Julian Popken (bass)
Katharina Bäuml
Most of these pieces are vocal in nature. The singers are fairly nimble and spirited and give good accounts of Confitebor tibi II (Viktoria Wilson, Minsub Hong, Julian Popken) and Laudate Dominum... — More…
Awards:
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Opus Klassik Awards, 2023, Winner - Choral
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There is fine singing here, particularly from the bass Lisandro Abadie in Altri canti d’Amour (great richness and clarity) and the contralto Lucile Richardot in Lettera Amorosa (with some stylish... — More…
Awards:
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Gramophone Awards, 2017, Finalist - Baroque Vocal
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Record Review, 18th February 2017, Recording of the Week
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Monteverdi Madrigali Volume 2: Mantova
Excerpts from Books IV, V and VI
Les Arts Florissants, Paul Agnew
This group of performers is commendably aware of [the] move towards expressive freedom: we get from them searing moments of deep anguish...and mesmerising stillness...[and] the finest performance... — More…
Awards:
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Gramophone Magazine, January 2015, Disc of the Month
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In addition to playing with a fabulous sense of joie de vivre, the Australian Brandenburg players demonstrate a chameleon-like ability to take on or subtly inject different musical styles into... — More…
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TENET: UNO + ONE
TENET: Jolle Greenleaf, Molly Quinn (soprano), Robert Mealy, Daniel Lee (violin), Hank Heijink (theorbo), Daniel Swenberg (tiorbino and baroque guitar) & Avi Stein (harpsichord)
each voice has a specific timbre. But somehow they converge into what often feels like a single sound, aided by their near-telepathic musical rapport...And they don't inject their own pathos:... — More…
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Monteverdi: Sestina & Schütz: Musikalische Exequien, Op. 7
La Chapelle Vocale de l'Université de Lausanne, Jean-Christophe Aubert
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Special offer. Monteverdi - Lamento Della Ninfa
Altri Canti di Marte, Libri VII & VIII
Les Arts Florissants, William Christie
Some minor tuning problems, but the singing is spirited, and the interplay between voices and instruments in Tirsi e Clori a delight. — More…
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…I Fagiolini are at their best in the quietly pastoral pieces. 'Rimanti in pace' is an early masterpiece from Book 3, sung with the tenderest of touches at the melting harmonies, and 'Lagrime... — More…
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