Three very different scores for three very different films all recorded in the first months of 1996. Happy-go-lucky surf rock grooves, modern classical improvisational madness and a dark electro-acoustic construct using the sounds of water, fire and wind recorded for an erotic film noir S/M fantasy.
Music from Dina Waxman's Anton, Mailman, Henry Hills' Mechanics Of The Brain, and Maria Beatty's The Black Glove.
