2002 proves to be a watershed year for Zorn, with this being his fifth film score in three months. Here, a taste of Ennio Morricone, Astor Piazzola, French musette and Nino Rota make up what is perhaps his greatest film score to date. At times bizarre, haunting, exhilarating and powerful, the lush sonorities of this dynamic group will surprise you as much as it did Zorn himself. A romantic new lyricism. A remarkable new direction. Unexpected, inevitable and absolutely essential.
