Lebenslieder is a song-symphony for orchestra or chamber ensemble with electronics. The vocal part consists of extracts from recorded interviews with people with dementia and their partners who care for them. Their voices are translated directly into orchestral material, bringing the experience of living with dementia into the concert hall, breaking the silence that often surrounds the topic, and giving voice to the real-life, day-to-day experience of what is fast becoming the defining medical condition of our age.
Nachtmusik, the third movement of
Lebenslieder, reflects on the night-time experiences of people with dementia and those caring for them: difficulty sleeping, nocturnal wanderings, tiredness. It portrays that time of night when worries and concerns seem somehow magnified, and the sleeping world seems far away and indifferent.
The composition of
Lebenslieder was funded by The Leverhulme Trust as part of a Leverhulme Research Fellowship in 2017. It was undertaken in co-operation with Professor Bob Woods of Bangor University, and the ACTIFCare research project, funded in the UK by the ESRC. I am grateful to Hannah Jelley (Research Project Support Officer, Bangor University), and to all the participants for sharing their thoughts and experiences: John Alderson, Sandra Alderson, Colin Davies, Judy Futter, Eric Jones, Gwen B. Meyer and two anonymous contributors.
The first (Daybreak) and second (Scherzo) movements of Lebenslieder are also available on Composers Edition. A complete (compiled) version of Lebenslieder is also available.Please contact us directly to enquire about score and parts pricing.
