Book
$55.50Printed on demand
Contents
- 1. Introduction Nic Beech, Stephen Broad, Ann Cunliffe, Celia Duffy and Charlotte Gilmore
- Part I . Orienting Ideas: Organisation and Organising:
- 2. Music and the aesthetic study of organisational life Antonio Strati
- 3. Organising and storytelling David Sims
- 4. Organising, music and metaphor: of connections, comparisons and correspondences Cliff Oswick
- 5. Resisting change and changing resistance Robyn Thomas
- 6. Identity work: organising the self, organising music Christine Coupland
- 7. Creative strategy Chris Bilton and Steve Cummings
- Markets and engagement between production and consumption: 8. Music and the making of markets Katy J. Mason
- 9. Consumers and marketing Mike Saren
- 10. Branding and the music market Chris Hackley
- 11. Being in the room Alan McCusker Thompson
- 12. Music and marketing Alan Bradshaw
- Organising in complex environments: 13. Complexity theory Robert MacIntosh and Donald MacLean
- 14. On leading in networks: the role of reflexive practices Paul Hibbert
- 15. All of me: art, industry and identity struggles Casper Hoedemaekers and Sierk Ybema
- 16. The process of improvisation Simon Rose and Raymond MacDonald
- 17. Managing artistic work in the real world Davide Nicolini and Gail Greig
- Part II . Tales of Experience: Organising and Performing:
- 18. Organising playing: reflections on the festival business Nod Knowles
- Organising music festivals Louise Mitchell and Dimi Stoyanova Russell
- Organising and playing a boutique festival Johnny Lynch and Gretchen Larsen
- Managing the Zoeys: some reminiscences Martin Cloonan
- Managing a punk band Marco Panagopoulos and Shiona Chillas
- Blogging, running a label and band management Lloyd Meredith and Shiona Chillas
- The organising and artistic demands of orchestral performances Simon Webb and Martin Dowling
- Leadership in the BBC Philharmonic Richard Wigley and Elizabeth Gulledge
- Orchestrating a flashmob: reach and reputation Jane Donald and Gail Grieg
- Developing a university's musical culture: a partnership approach Michael Downes
- Organising the National Pop League events John Hunt, Carlo Zanotti and Charlotte Gilmore
- Starting record label: Song by Toad Matthew Young and Dimi Stoyanova Russell
- 19. Playing and organising: traditional music and the network Lori Watson and Charlotte Gilmore
- Multiple simultaneous projects in traditional and electronica and orchestral music Chris Stout and Charlotte Gilmore
- Storytelling and performance R. M. Hubbert and Elizabeth Gulledge
- Creating and making an album Jenny Reeve and Charlotte Gilmore
- Relationships between music, management, agents and labels Jill O'Sullivan and Shiona Chillas
- Dead or American: reasons to be fearless Chris Cusak
- Experiencing a creative journey Martin Henry and Daragh O'Reilly
- Musical identity: solo artist and band projects Ben Talbot Dunn and Kevina Cody
- An embodiment of a band Duglas T. Stewart, Charlotte Gilmore and Peter Keenan
- Rock music on the big stage Jim Prime and Peter Keenan
- Playing in the Royal Scottish National Orchestra Lance Green, Katy MacKintosh and Charlotte Gilmore
- Reflections of a gigging musician Ian Smith and Charlotte Gilmore
- 20. Next steps in the dialogue: insights for practising and theorising Charlotte Gilmore and Nic Beech
- Index.