Organising Music: Theory, Practice, Performance

Contents

• 1. Introduction Nic Beech, Stephen Broad, Ann Cunliffe, Celia Duffy and Charlotte Gilmore
• Part I . Orienting Ideas: Organisation and Organising:
• 2. Music and the aesthetic study of organisational life Antonio Strati
• 3. Organising and storytelling David Sims
• 4. Organising, music and metaphor: of connections, comparisons and correspondences Cliff Oswick
• 5. Resisting change and changing resistance Robyn Thomas
• 6. Identity work: organising the self, organising music Christine Coupland
• 7. Creative strategy Chris Bilton and Steve Cummings
• Markets and engagement between production and consumption: 8. Music and the making of markets Katy J. Mason
• 9. Consumers and marketing Mike Saren
• 10. Branding and the music market Chris Hackley
• 11. Being in the room Alan McCusker Thompson
• 12. Music and marketing Alan Bradshaw
• Organising in complex environments: 13. Complexity theory Robert MacIntosh and Donald MacLean
• 14. On leading in networks: the role of reflexive practices Paul Hibbert
• 15. All of me: art, industry and identity struggles Casper Hoedemaekers and Sierk Ybema
• 16. The process of improvisation Simon Rose and Raymond MacDonald
• 17. Managing artistic work in the real world Davide Nicolini and Gail Greig
• Part II . Tales of Experience: Organising and Performing:
• 18. Organising playing: reflections on the festival business Nod Knowles
• Organising music festivals Louise Mitchell and Dimi Stoyanova Russell
• Organising and playing a boutique festival Johnny Lynch and Gretchen Larsen
• Managing the Zoeys: some reminiscences Martin Cloonan
• Managing a punk band Marco Panagopoulos and Shiona Chillas
• Blogging, running a label and band management Lloyd Meredith and Shiona Chillas
• The organising and artistic demands of orchestral performances Simon Webb and Martin Dowling
• Leadership in the BBC Philharmonic Richard Wigley and Elizabeth Gulledge
• Orchestrating a flashmob: reach and reputation Jane Donald and Gail Grieg
• Developing a university's musical culture: a partnership approach Michael Downes
• Organising the National Pop League events John Hunt, Carlo Zanotti and Charlotte Gilmore
• Starting record label: Song by Toad Matthew Young and Dimi Stoyanova Russell
• 19. Playing and organising: traditional music and the network Lori Watson and Charlotte Gilmore
• Multiple simultaneous projects in traditional and electronica and orchestral music Chris Stout and Charlotte Gilmore
• Storytelling and performance R. M. Hubbert and Elizabeth Gulledge
• Creating and making an album Jenny Reeve and Charlotte Gilmore
• Relationships between music, management, agents and labels Jill O'Sullivan and Shiona Chillas
• Dead or American: reasons to be fearless Chris Cusak
• Experiencing a creative journey Martin Henry and Daragh O'Reilly
• Musical identity: solo artist and band projects Ben Talbot Dunn and Kevina Cody
• An embodiment of a band Duglas T. Stewart, Charlotte Gilmore and Peter Keenan
• Rock music on the big stage Jim Prime and Peter Keenan
• Playing in the Royal Scottish National Orchestra Lance Green, Katy MacKintosh and Charlotte Gilmore
• Reflections of a gigging musician Ian Smith and Charlotte Gilmore
• 20. Next steps in the dialogue: insights for practising and theorising Charlotte Gilmore and Nic Beech
• Index.