Name: Howard Skempton: The Rime of the Ancient Mariner
Price: 13.12 USD
Availability: BackOrder

Howard Skempton: The Rime of the Ancient Mariner

Listen on Presto Music. Free thirty day trial. Find out more.

[Skempton] judges the balance between reiteration and variety to perfection, while the typical Skempton traits – clarity, deceptive simplicity and apparently familiar yet fresh and capricious... — BBC Music Magazine, August 2017, 5 out of 5 stars More…

Release Date: 21st Apr 2017
Catalogue No: NMCD234
Label: NMC
Length: 63 minutes

Presto Recording of the Week

5th May 2017
Gramophone Magazine

June 2017

Editor's Choice
Presto Recordings of the Year

Finalist 2017
Gramophone Awards

2018

Shortlisted - Contemporary

Usually despatched in 3 - 4 working days

NMC 35th Anniversary - up to 25% off

Special offer ends: 13/11/2024

This release includes a digital booklet

NMC 35th Anniversary - up to 25% off

Special offer ends: 13/11/2024

Skempton: The Rime of the Ancient Mariner

Work length32:14

Album only

Roderick Williams
Birmingham Contemporary Music Group

Skempton: Only the Sound Remains

Work length31:03

Album only

Christopher Yates
Birmingham Contemporary Music Group
Martyn Brabbins

About
Reviews
Videos
Explore

About

Recording of the Week, Roderick Williams sings a new work by Howard Skempton: The Rime of the Ancient Mariner

21st April 2017

Katherine very much enjoys baritone Roderick Williams in a new work by Howard Skempton: a setting of Coleridge's poem, The Rime of the Ancient Mariner.

Perfectly crafted, deceptively simplistic and distinctively individual, Howard Skempton's compositions have a soundworld all of their own. This new full-length album on NMC perfectly displays his experimental, yet sonorous and tonal music.

Skempton takes on Coleridge's epic poem The Rime of the Ancient Mariner and brings it to life, using just solo voice (baritone) and small chamber ensemble. The result is a stunning, dark and hypnotic journey led by the almost constant, magnetic presence of Roderick Williams, for whose voice and dramatic capabilities the piece was conceived.

Only the Sound Remains takes its name from the opening line of The Mill-Water by English poet Edward Thomas. The piece is an evocation of loss and decay, where textures, and melodies mysteriously recur, while others simply fade beautifully out of aural reach. It is written for for sixteen players, including solo viola. This is a stunning premiere recording of two recent works by one of Britain's finest living composers.

Reviews

August 2017

[Skempton] judges the balance between reiteration and variety to perfection, while the typical Skempton traits – clarity, deceptive simplicity and apparently familiar yet fresh and capricious language – are all here, sensitively conveyed by Birmingham Contemporary Music Group.

June 2017

The vocal line [in Mariner] is necessarily dominant, given the wealth of imagery to be conveyed, though it helps when Roderick Williams has a clarity of enunciation second to none...[in Only the Sound Remains] Yates is naturally attuned to his concertante role, while Martyn Brabbins secures audible finesse from BCMG...this is a valuable addition to Skempton’s expanding discography.

5th May 2017

Williams is, as ever, the most spellbinding of story-tellers...one of the many things I love about this work is the curious synergy between composer and performer in that both resist the temptation to gild the lily, and in the recording session I attended it really did seem as if Coleridge’s ‘Wedding-Guest’ was conjuring both text and music into being for the very first time.

14th April 2017

[Skempton's] deceptively simple setting of Coleridge’s The Rime of the Ancient Mariner (almost all of it!) is hypnotically effective...If at times it’s reminiscent of the sea-voyage movement in Britten’s oratorio St Nicolas, it’s also marvellously evocative.

29th July 2017

The text is sung, beautifully, by baritone Roderick Williams. Exactly how Skempton's restrained, tonal music works its magic is hinted at in John Fallas’s booklet essay. There’s talk of nine-note scales and four-part canonic textures, though this barely hints at the work’s dramatic power. The piano’s entry at the start of the second stanza made me jump…as an exercise in effective musical storytelling, it's magnificent, and a piece to fall in love with.

Videos

An error occurred.

Try watching this video on www.youtube.com, or enable JavaScript if it is disabled in your browser.

An error occurred.

Try watching this video on www.youtube.com, or enable JavaScript if it is disabled in your browser.

Howard Skempton and Roderick Williams in conversation

Special offer. Howard Skempton: The Rime of the Ancient Mariner

CD

Downloads

Contents

Recording of the Week, Roderick Williams sings a new work by Howard Skempton: The Rime of the Ancient Mariner

Download queue